Hoffmann (Scheicher) is an ambitious ethnology student in Berlin. When he meets the interpreter (Jazama) of the Herero and Nama delegation from German South West Africa on their visit to Germany, he develops an intense interest in the population. His experiences come to contradict the common evolutionist, racially based theories he has been confronted with up until that point. When it comes to the civil war, he is on the ground, travelling around and collecting artefacts that will form part of the collection of the modern-day Berlin Ethnological Museum. Hoffmann witnesses the cruelties of war, but he himself crosses moral boundaries when he agrees to collect Herero and Nama skeletons for research purposes.

Hoffmann (Scheicher) is an ambitious ethnology student in Berlin. When he meets the interpreter (Jazama) of the Herero and Nama delegation from German South West Africa on their visit to Germany, he develops an intense interest in the population. His experiences come to contradict the common evolutionist, racially based theories he has been confronted with up until that point. When it comes to the civil war, he is on the ground, travelling around and collecting artefacts that will form part of the collection of the modern-day Berlin Ethnological Museum. Hoffmann witnesses the cruelties of war, but he himself crosses moral boundaries when he agrees to collect Herero and Nama skeletons for research purposes.

Measuring Sadness is an essay film. Memories, archive footage, dreams and painful reality collide and touch each other in their own visual language. It measures a state, a process, in which sadness and beauty, vastness and closeness, warmth and coldness are combined in opposing ways.

德国导演Detlev Buck也在本土筹备一部新片，把德语作家Daniel Kehlmann连续37周占据《明镜周刊》畅销书榜首的《测量世界》搬上银幕，并且使用3D技术拍摄。这两部作品论起共同点的话除了畅销之外都有着交叉的人生和激动人心的探险故事。《测量世界》主人公是18世纪末德国的两位古怪天才，分别是博物学家洪堡与数学家高斯，用着各自的方式在进行着“测量世界”，直到最后两人的生活才有了交集。写该书时的Daniel Kehlmann只有30岁。《测量世界》与迈克尔·哈内克的新作《爱》（伊莎贝尔·于佩尔出演）等片一起获得了今年Berlin Film Board的资助，目前由Detlev Buck在打磨剧本，具体开机时间未定，但毫无疑问，它将成为德国迄今制作规模最大的3D影片。

班宁07年作品《casting a glance》的一个续作。

入围第74届威尼斯电影节非竞赛展映单元，已申报2018年奥斯卡最佳长纪录片。两次奥斯卡提名与艾美奖获奖导演Jon Alpert自1972年进入古巴多次，长期纪录菲德尔·卡斯特罗的影像。这部影片对古巴作揭发真相的刻画，描述了菲德尔·卡斯特罗和三个受其政策影响的家庭的过去 。

计算人类的每个心理状态和个性倾向所衡量的值，通称：PSYCHO-PASS（心理测量者）被因而引进未来世界。因此，为让大众达到“理想的人生”这个指标，实现这些数值就变得非常积极。然而，有关犯罪的数值，也就是“犯罪指数”也会被测量，当然犯罪者亦是如此，但既使如说没有犯罪，可是其规定值超过的人也是会被列为潜在犯，将而受到制裁。这个故事是在描写为了维持治安的工作，公安局刑事课第一分队的成员活跃的表现。

计算人类的每个心理状态和个性倾向所衡量的值，通称：PSYCHO-PASS（心理测量者）被因而引进未来世界。因此，为让大众达到“理想的人生”这个指标，实现这些数值就变得非常积极。然而，有关犯罪的数值，也就是“犯罪指数”也会被测量，当然犯罪者亦是如此，但既使如说没有犯罪，可是其规定值超过的人也是会被列为潜在犯，将而受到制裁。这个故事是在描写为了维持治安的工作，公安局刑事课第一分队的成员活跃的表现。

在一个宁静的夜晚，女主人和男主人正端坐在客厅读书看报。狡猾的汤姆趁主人未留意，偷偷钻进厨房，打开冰箱门端出烤鸡大快朵颐。就在此时，那主人突然起身来到厨房，当他打开冰箱门后发现被啃过的烤鸡大为震惊。他怀疑不是猫就是狗干了这等勾当。生怕遭到处罚的汤姆想出妙计，用面包蘸上墨水伪装成狗爪子印按在房间各个角落，并将吃剩下的烤鸡塞到正睡觉的史派克的怀中。他太专心干这样的事，却没发现他的行径早被杰瑞用相机拍了下来。 　　不久，恼怒的主人将史派克扔出门外。而杰瑞也将照片洗了出来，洋洋得意的汤姆终于迎来手忙脚乱的时刻……

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.