《只是影畫》（2024）既為記錄自學成才的著名畫家楊東龍（1956年生於福建），亦處處流露着被拍攝者的自我反思。楊東龍以大型具象繪畫而聞名，多為描繪香港的繁華都市風景和人誌。他的作品極具電影感，以多視角方式將不同場景在畫布上合為一體，吸引觀眾同時採用不同的角度觀賞。 　　拍攝團隊花了三年多時間跟隨楊東龍，並記錄了他於2021年在香港刺點畫廊舉辦個展「日課」的過程。電影主要在楊東龍位於石塘咀的工作室取景，寧靜且光線充沛的背景營造出沉思默想的氛圍。楊東龍拉開畫布、抽煙、繪畫、聽音樂，以及與畫像模特兒討論藝術、記憶和語言在其創作中扮演的角色，讓觀眾得以一窺這位藝術家的敏銳及創作過程之堂奧。片中亦不乏楊東龍對年輕藝術家的循循善誘，反映出繪畫與電影皆有集體創作的性質。

一位导演聘请了一位年轻女演员，根据他生活中的一段插曲拍摄一部电影。他刚刚离开的女人死于一场神秘的车祸......

一位导演聘请了一位年轻女演员，根据他生活中的一段插曲拍摄一部电影。他刚刚离开的女人死于一场神秘的车祸......

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

A young writer retreats to an isolated cabin to work on a mystery thriller. One night, a mysterious stranger arrives at his door needing help.

In rural Southern Spain Antonia, a fifteen-year-old mother, disappears in the middle of the night. 50 years later and much further North, Carmen, an introverted casting director, is looking for people to share their experiences when arriving in a new city. In her search, she meets Antonia, whose impulsiveness intrudes into Carmen’s solitude. Who said time heals all wounds? 　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=304fbf18-7c82-48e7-ab5e-1c62573f7d3a

In rural Southern Spain Antonia, a fifteen-year-old mother, disappears in the middle of the night. 50 years later and much further North, Carmen, an introverted casting director, is looking for people to share their experiences when arriving in a new city. In her search, she meets Antonia, whose impulsiveness intrudes into Carmen’s solitude. Who said time heals all wounds? 　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=304fbf18-7c82-48e7-ab5e-1c62573f7d3a

Three young men - a Croat, an Italian, and a Jew - are the best friends in pre-WW2 Dubrovnik. When their country is occupied by Nazis and their cronies, the idyllic city becomes a place of terror and gruesome massacres. The friends must now take different sides in a global conflict. 　　A great work of Lordan Zafranovic! The plot is situated in Dubrovnik and I get the impression that Zafranovic wanted to show how nice, beautiful and nonchalant life was before the war by making it to look like it is in renaissance. Three friends (a Croat, an Italian and a Jew) are having the time of their lives, singing, laughing, and having fun and girls. Then the war breaks and their friendship is eclipsed by their nationalities and religions. Instead of songs and laugh there are scenes of violence and killings. And the way in which Zafranovic has shown all that hatred between Croats and Serbs, Nazis and Jews is superb and frightening at the same time. I must mention one more scene that amazed me. It is the scene of striptease in the whorehouse. Maybe that's because of Tanja Boskovic, who is, in my humble opinion, the sexiest Serbian actress ever, but the camera work with cruising along the room and shooting it all at once with sliding back and out of the room with Tanja naked and the statue in front in the same pose is magnificent.

Three young men - a Croat, an Italian, and a Jew - are the best friends in pre-WW2 Dubrovnik. When their country is occupied by Nazis and their cronies, the idyllic city becomes a place of terror and gruesome massacres. The friends must now take different sides in a global conflict. 　　A great work of Lordan Zafranovic! The plot is situated in Dubrovnik and I get the impression that Zafranovic wanted to show how nice, beautiful and nonchalant life was before the war by making it to look like it is in renaissance. Three friends (a Croat, an Italian and a Jew) are having the time of their lives, singing, laughing, and having fun and girls. Then the war breaks and their friendship is eclipsed by their nationalities and religions. Instead of songs and laugh there are scenes of violence and killings. And the way in which Zafranovic has shown all that hatred between Croats and Serbs, Nazis and Jews is superb and frightening at the same time. I must mention one more scene that amazed me. It is the scene of striptease in the whorehouse. Maybe that's because of Tanja Boskovic, who is, in my humble opinion, the sexiest Serbian actress ever, but the camera work with cruising along the room and shooting it all at once with sliding back and out of the room with Tanja naked and the statue in front in the same pose is magnificent.