大时母基于太初之母的故事，但主要讲述大时母女神和帕尔瓦蒂女神。 　　摩诃婆罗多中黑公主的扮演者Pooja Sharma于此剧中扮演帕尔瓦蒂，摩诃婆罗多中奎师那的扮演者Saurabh Raj Jain则于此剧中扮演帕尔瓦蒂的丈夫湿婆。 　　本剧是第一个完全讲述帕尔瓦蒂是如何变为凶猛的武士女神迦梨的电视连续剧。 　　本剧还涉及赋予妇女权力的主题，并向所有妇女发出一个信息，即她们需要找到自己的内在力量，不应该依赖男子，她们能够为自己战斗，在不需要男子的情况下解决自己的问题。

故事从婆罗多族后裔，象城国王福身王开始。福身王恋上渔女贞信，太子天誓为父亲的幸福甘愿放弃王位。后贞信之子奇武暴毙，贞信找来自己婚前私生子广博仙人，与奇武的两个遗孀生下持国与般度。持国天生眼瞎，由般度继位。后般度因身中诅咒，让位于持国，自己去林中苦修。持国娶妻甘陀利，生下百子；般度娶妻贡蒂、玛德利，后因诅咒不能与女子交欢，让妻子使用咒语召唤天神，替他生下五儿子。持国百子称为俱卢族，般度五子为般度族。 　　此后的故事便是围绕俱卢族与般度族之间的王位争夺展开。

Adapted from the Indian epic poem of the same title (the longest in human history, counting 2,000 years of existence and 100,000 stanzas), Peter Brook's Mahabharata is a true masterpiece showcasing all the maker's trademarks – and, most of all, his visual and narrative poetic economy. Following the conflict between two Indian families of common ancestry (the descendants of the gods of earthly harmony, patience, and wisdom, and their eternal dark rivals), the screen adaptation of a monumental nine-hour production that helped redefine theater, is a profound, breathtaking, and inspiring expression of mankind’s attempt to make sense of the often baffling and terrifying human experience; at the same time, it illuminates which values are essential for human survival and fulfillment. And as its bearded creator and storyteller says to an inquiring youth in the beginning, “Mahabharata is the poetical history of mankind... If you listen carefully, in the end, you’ll be someone else.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1265/14658

Adapted from the Indian epic poem of the same title (the longest in human history, counting 2,000 years of existence and 100,000 stanzas), Peter Brook's Mahabharata is a true masterpiece showcasing all the maker's trademarks – and, most of all, his visual and narrative poetic economy. Following the conflict between two Indian families of common ancestry (the descendants of the gods of earthly harmony, patience, and wisdom, and their eternal dark rivals), the screen adaptation of a monumental nine-hour production that helped redefine theater, is a profound, breathtaking, and inspiring expression of mankind’s attempt to make sense of the often baffling and terrifying human experience; at the same time, it illuminates which values are essential for human survival and fulfillment. And as its bearded creator and storyteller says to an inquiring youth in the beginning, “Mahabharata is the poetical history of mankind... If you listen carefully, in the end, you’ll be someone else.” 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1265/14658

印度电视剧史上里程碑式的作品。大史诗《摩诃婆罗多》的影像化。

玛丽亚是一个迷人的派对女孩，她以别人的钱为生。有一次在阿联酋，她和一个亿万富翁的妻子去了一家夜总会，派对失控了，现在玛丽亚面临牢狱之灾，危险人物追杀她，她的账户被封锁。她不得不逃到俄罗斯，但她在家里也不安全--女孩在一个修道院的围墙内避难。@游目骋观影

玛丽亚是一个迷人的派对女孩，她以别人的钱为生。有一次在阿联酋，她和一个亿万富翁的妻子去了一家夜总会，派对失控了，现在玛丽亚面临牢狱之灾，危险人物追杀她，她的账户被封锁。她不得不逃到俄罗斯，但她在家里也不安全--女孩在一个修道院的围墙内避难。@游目骋观影

Choying Drolma, a child of a forced marriage and a victim of domestic violence, seeks refuge in a Tibetan Buddhist monastery where she learns to sing. An American musician brings her music to the United States of America, from where she starts her global music journey. However, some believe nuns should not sing, and her concert is boycotted in Hong Kong. Despite such criticism, Choying Drolma becomes a rock-star nun, fighting for girl education with her heavenly voice. She founds a modern school for girls, builds a hospital in Kathmandu, addresses gender equality in the United Nations, calls for educational reform in Abu Dhabi, and receives the Freedom Award in Warsaw. However, a dark cloud remains in her heart since she cannot free herself emotionally from the past. She decides to fulfil her late father’s last wish and retrace her roots in Tibet.

教會生活寧靜又祥和？豪放小修女們不但拉幫結派、偷窺告密、狂飆粗口，為了排解苦悶，無所不用其極。懦弱怕事的神父只能睜一隻眼閉一隻眼，祈禱不要捅出大簍子。某日，與王妃姦情曝光而逃亡的美少年前來教會尋求庇護，為了防止修女騷亂，神父謊稱他是新來的粗工而且又聾又啞。然而，面對天上掉下來的鮮肉，從來不是吃素的修女們豈會輕易放過？ 　　《殭屍哪有這麼正》鬼才導演再出犀利奇招，找來近年以《出神入化》系列走紅的帥氣小生戴夫法蘭科與眾女星合力抓狂。影片鮮活刻劃再嚴厲的教規也束縛不了人對自由的嚮往，愈禁錮只有愈瘋狂。影片看似惡搞中世紀的政治與宗教，其實處處借古喻今。戲謔嘲諷的超強火力，彷彿賦予帕索里尼的《十日談》現代新解。

教會生活寧靜又祥和？豪放小修女們不但拉幫結派、偷窺告密、狂飆粗口，為了排解苦悶，無所不用其極。懦弱怕事的神父只能睜一隻眼閉一隻眼，祈禱不要捅出大簍子。某日，與王妃姦情曝光而逃亡的美少年前來教會尋求庇護，為了防止修女騷亂，神父謊稱他是新來的粗工而且又聾又啞。然而，面對天上掉下來的鮮肉，從來不是吃素的修女們豈會輕易放過？ 　　《殭屍哪有這麼正》鬼才導演再出犀利奇招，找來近年以《出神入化》系列走紅的帥氣小生戴夫法蘭科與眾女星合力抓狂。影片鮮活刻劃再嚴厲的教規也束縛不了人對自由的嚮往，愈禁錮只有愈瘋狂。影片看似惡搞中世紀的政治與宗教，其實處處借古喻今。戲謔嘲諷的超強火力，彷彿賦予帕索里尼的《十日談》現代新解。