母亲去世之后，少女忆梅（汪玲 饰）沦为了孤儿。母亲临死之前，将忆梅托付给了远在台北的罗教授（朱牧 饰），就这样，忆梅在朱教授的家里开始了寄人篱下的生活。徐中枏（杨群 饰）是朱教授家里的家庭教师，他爱上了坚强的忆梅，与此同时，罗教授的儿子罗皓皓（刘维斌 饰）也喜欢上了忆梅，忆梅陷入了一段三角恋情之中不知该如何选择。 　　罗教授的妻子罗太太（李湄 饰）非常的讨厌忆梅，常常对她恶语相向，从来就没有过好脸色。一次偶然之中，忆梅终于得知了其中的缘由，原来，罗教授竟然就是自己的亲生父亲。

母亲去世之后，少女忆梅（汪玲 饰）沦为了孤儿。母亲临死之前，将忆梅托付给了远在台北的罗教授（朱牧 饰），就这样，忆梅在朱教授的家里开始了寄人篱下的生活。徐中枏（杨群 饰）是朱教授家里的家庭教师，他爱上了坚强的忆梅，与此同时，罗教授的儿子罗皓皓（刘维斌 饰）也喜欢上了忆梅，忆梅陷入了一段三角恋情之中不知该如何选择。 　　罗教授的妻子罗太太（李湄 饰）非常的讨厌忆梅，常常对她恶语相向，从来就没有过好脸色。一次偶然之中，忆梅终于得知了其中的缘由，原来，罗教授竟然就是自己的亲生父亲。

前世，温明珠是温清时亲手从孤儿院选中的杨梅，两人相伴一生，临终前许下重生之约。可当两人真正重生后，温清时却用最恶毒的语言诅咒她，转身追寻他心中的白月光。温明珠这才惊觉，前世数十载相守不过是一场将就。于是她依然选择被卫家收养，决心活出属于自己的璀璨人生。当她在卫家绽放出属于自己的光芒时，温清时缺悔不当初，而此时的温明珠，早已对他不屑一顾

曲轻栀穿书成恶毒女配，绑定剧情系统，必须按要求羞辱大反派谢暮寒助其黑化，否则会被电击而死。她虽依剧情行事，却常暗地帮他，二人关系生变。可系统作祟， 使他们因剧情几度分合，感情在波折中愈发复杂

曲轻栀穿书成恶毒女配，绑定剧情系统，必须按要求羞辱大反派谢暮寒助其黑化，否则会被电击而死。她虽依剧情行事，却常暗地帮他，二人关系生变。可系统作祟， 使他们因剧情几度分合，感情在波折中愈发复杂

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

Lennon observes on the sidelines of the thriving Columbus indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum. Enter the enigmatic Bobbi Kitten, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession. With Sylvie Mix, Bobbi Kitten.

京市第一女总裁沈书瑶，意外发现自己的模范丈夫顾君辞，竟与她资助多年的女大学生苏若溪在拍卖会上偷情。更令她心寒的是，顾君辞不仅用她的钱讨好小三，还长期给她下毒，意图谋夺家产。沈书瑶将计就计，设下天罗地网，最终让这对狗男女身败名裂，自食恶果。