地铁上一见钟情的男女，发现他们的关系远非表层看来那么简单，而男人口中名为“心之列车”的奇幻故事，似乎正是一切漩涡的源头......

地铁上一见钟情的男女，发现他们的关系远非表层看来那么简单，而男人口中名为“心之列车”的奇幻故事，似乎正是一切漩涡的源头......

这列火车不断前行，从不停止。在单一时间轴上，前行的时间与倒退的时间相遇。时间与空间在帧之间崩解，将每秒精细地分割。车窗保持静止，而窗外的世界则不断变化。影片并非试图真实再现风景，而是通过形状和色彩的振动更精确地呈现这个世界。我通过即兴输入在同一时间轴上排列两个不同素材进行剪辑。第一次剪辑设置了节奏，而“输入表演”的时长则决定了影片的长度。这部影片既有可能完成，又可无限生成。我使用了广播工作室常用的多镜头剪辑技术，打造出一部无尽的电影。为模糊不同时刻和空间之间的界限，我使用了DVO Fix这一电影数字修复工具。借助这些另类技术，我试图挑战电影制作的边界，并将其所带来的结果融入我的创作之中。在从文根到劳特布龙嫩的列车上，窗外雪景与隧道黑暗交替，三扇车窗呈现出宁静而又不断变化的画面。

这列火车不断前行，从不停止。在单一时间轴上，前行的时间与倒退的时间相遇。时间与空间在帧之间崩解，将每秒精细地分割。车窗保持静止，而窗外的世界则不断变化。影片并非试图真实再现风景，而是通过形状和色彩的振动更精确地呈现这个世界。我通过即兴输入在同一时间轴上排列两个不同素材进行剪辑。第一次剪辑设置了节奏，而“输入表演”的时长则决定了影片的长度。这部影片既有可能完成，又可无限生成。我使用了广播工作室常用的多镜头剪辑技术，打造出一部无尽的电影。为模糊不同时刻和空间之间的界限，我使用了DVO Fix这一电影数字修复工具。借助这些另类技术，我试图挑战电影制作的边界，并将其所带来的结果融入我的创作之中。在从文根到劳特布龙嫩的列车上，窗外雪景与隧道黑暗交替，三扇车窗呈现出宁静而又不断变化的画面。

VERY COOL的东欧超现实电影。 　　The seventies were a period in which the filming of literary works became widespread. These were mainly adaptations of the classics from Slovenian literature. There were, however, two noteworthy exceptions, one based on a children’s book and another on a contemporary novel. Sreca na vrvici (Hang On, Doggy), a children’s comedy about the restrictions of life in urban surroundings, was very popular. To so gadi (Real Pests), a farcical comedy set in a suburban environment, was released at around the same time and went on to become one of biggest hits. 　　The next decade brought very few hits to the cinema, with some notable exceptions like the grotesque fantasy-comedy about the struggle for the power called Butnskala (Bumpstone) made by Franci Slak. While in this movie the terror of totalitarianism was still allegorical, it became much more concrete in the movie Hudodelci (The Felons).

VERY COOL的东欧超现实电影。 　　The seventies were a period in which the filming of literary works became widespread. These were mainly adaptations of the classics from Slovenian literature. There were, however, two noteworthy exceptions, one based on a children’s book and another on a contemporary novel. Sreca na vrvici (Hang On, Doggy), a children’s comedy about the restrictions of life in urban surroundings, was very popular. To so gadi (Real Pests), a farcical comedy set in a suburban environment, was released at around the same time and went on to become one of biggest hits. 　　The next decade brought very few hits to the cinema, with some notable exceptions like the grotesque fantasy-comedy about the struggle for the power called Butnskala (Bumpstone) made by Franci Slak. While in this movie the terror of totalitarianism was still allegorical, it became much more concrete in the movie Hudodelci (The Felons).

人们对速度的渴望使得交通工具一次次突破自己的速度极限。可是，高速同时也带来了巨大的危险。为了提高它们的安全性，一项科学应运而生——撞击的科学。本系列纪录片分别介绍了汽车、飞机和火车三大工业中的撞击科学是如何发展并应用的。汽车篇分析了各种车祸背后的原因以及汽车安全的发展过程，同时也彰显了一代科学家的创新精神和敢于接受挑战的勇气。飞机篇讲述了航空事故科学家的开拓性工作，他们专注于提高飞机引擎和燃料系统的安全性，以及如何更好地应对撞击。

《风云战国之列国》是由腾讯视频出品，企鹅影视和上造影视联合制作的国内首档剧情式历史纪录片。纪录片以齐、楚、燕、韩、赵、魏、秦战国七雄的英雄人物、国家命运为线索，通过实景还原和演技派演员演绎的全新剧情式呈现方式，探索战国时期的六国兴衰史以及秦王朝一统天下背后更深层的秘密，为广大观众再现2200多年前那一段波澜壮阔的历史。

《风云战国之列国》是由腾讯视频出品，企鹅影视和上造影视联合制作的国内首档剧情式历史纪录片。纪录片以齐、楚、燕、韩、赵、魏、秦战国七雄的英雄人物…

可怜的上班族没有注意到列车已经更改路线，他请求列车能够中途停靠，好让他及时赶到公司，好心的司机决定帮助他，可是……