在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

《你的生活好好看》是好看视频推出的首部自制综艺。该节目聚焦当代新青年生活观察，创新采用剧综联动玩法。在微剧场里，5名演艺新人围绕当代新青年最有共鸣的10个生活话题，演绎出10部新青年生活图鉴；在演播室中，李维嘉、曾涵江与圈中好友组成“生活观察团”，他们通过观看演艺新人们的剧情演绎，展开分享与讨论，探讨人生解决办法，为新青年提供暖心成长指南。

《你的生活好好看》是好看视频出品的首部自制综艺节目。节目以聚焦当代新青年生活观察为核心定位，首创剧综联动新玩法。在微剧场内，5名演艺新人选取了当代新青年最具共鸣点的10个生活话题，演绎出10部新青年生活图鉴；演播室内，李维嘉、曾涵江和圈中好友组成“生活观察团”，通过观察这些演艺新人的剧情演绎，进行分享和讨论，探讨人生解法，为新青年输出最暖心成长指南。

导演、女演员、教授和学生相约在山上进行午后约会。上山途中，导演莫名听到枪声，彷彿天启的声音。他兴致勃勃跟老师描述他心中的电影片段，而女演员到来，这些关于电影、关于导演与女演员的生活、也关于老师与学生的感情，逐渐地被戳破。迷茫午后，木屋外的餐桌上剩下四个困顿的灵魂，而导演心里头的抢匪也还是被困在银行铁门内，宛如困兽。

导演、女演员、教授和学生相约在山上进行午后约会。上山途中，导演莫名听到枪声，彷彿天启的声音。他兴致勃勃跟老师描述他心中的电影片段，而女演员到来，这些关于电影、关于导演与女演员的生活、也关于老师与学生的感情，逐渐地被戳破。迷茫午后，木屋外的餐桌上剩下四个困顿的灵魂，而导演心里头的抢匪也还是被困在银行铁门内，宛如困兽。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.