改变历史的男人不胜枚举，但改变历史的女人却屈指可数。历代王朝，风云变幻，有在政坛上纵横捭阖的女王，也有在战场上浴血奋战的女将。她们身处的朝代各不一样，身份和地位也亦不相同，但几乎都凭一己之力，力图扭转乾坤，改变历史的车轮走向，在整个人类的历史上留下了深深的烙印。这些伟大的历史女性有：古埃及的托勒密王朝最后一任女法老--埃及艳后克利奥帕特拉七世；英法百年战争中的法兰西民族英--圣女贞德；驾驭了英国45个动荡春秋的英格兰与爱尔兰的女王--伊丽莎白一世；俄罗斯历史上唯一一位被冠以“大帝”之名……

Animals That Changed History is a six part documentary series that details the contributions of animals to human development throughout history. The themed episodes focus on food, shelter, beasts of burden, companions, plagues, and muses. From medical breakthroughs using Australian inland taipan snake venom, to the portrayal of Ganesha, the elephant headed deity, Animals That Changed History explores just how significant animals have been to our world history.

Animals That Changed History is a six part documentary series that details the contributions of animals to human development throughout history. The themed episodes focus on food, shelter, beasts of burden, companions, plagues, and muses. From medical breakthroughs using Australian inland taipan snake venom, to the portrayal of Ganesha, the elephant headed deity, Animals That Changed History explores just how significant animals have been to our world history.

Arte电视频道是德法两国共同建立运营的文化艺术类频道，由其出品的纪录片《改变历史的女人们》

Arte电视频道是德法两国共同建立运营的文化艺术类频道，由其出品的纪录片《改变历史的女人们》

This two-part docudrama shows the love affair between King Henry VIII of England and his second wife, Anne Boleyn; presented by historian Dr. Suzannah Lipscomb.

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.