因对人的审判感到疲惫而离开东京的原法官真野日出子（片桐入饰）来到了位于东京以南120公里的太平洋上的“大岛”。在那里，日出子遇到了在岛上出生长大的小宫山渚(工藤绫乃饰)，在一次意外中，渚继承了祖父的居酒屋“风待屋”。不知从何时起，在这样的居酒屋里开始出现对人生抱有烦恼的客人。正因为是位于东京的岛屿才会有交错的人间百态，正因为是大岛才会有美食招待，这里温柔地展现了充满人情味的岛屿故事。@哦撸马

因对人的审判感到疲惫而离开东京的原法官真野日出子（片桐入饰）来到了位于东京以南120公里的太平洋上的“大岛”。在那里，日出子遇到了在岛上出生长大的小宫山渚(工藤绫乃饰)，在一次意外中，渚继承了祖父的居酒屋“风待屋”。不知从何时起，在这样的居酒屋里开始出现对人生抱有烦恼的客人。正因为是位于东京的岛屿才会有交错的人间百态，正因为是大岛才会有美食招待，这里温柔地展现了充满人情味的岛屿故事。@哦撸马

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

墨阳退役化名任逍遥回江城报恩，以平凡人的身份帮助妻子陆芊芊出道五年成为当红歌星，结果惨遭妻子背叛。6位大佬赶来支援男主。

中年导演怀疑妻子爱上其他男人，他带着甜美的女实习生去追踪，一路上导演精准地拿捏着尺度和女实习生暧昧调情，两人心情不错，最后导演有了意外的发现……

Set in the 1920s, two drifters are being chased by the police after a failed train robbery.

Set in the 1920s, two drifters are being chased by the police after a failed train robbery.