Nationen malen keine Bilder. Doch können Bilder die Geschichte einer Nation erzählen? Wie spiegelt die Malerei in Deutschland über ein Jahrhundert hinweg die Sehnsucht nach Einheit und einem Kaiserreich wider, das Streben nach Modernität und Macht, die Kriege und Wunden, das Abdriften in Nationalismus und totalitären Wahnsinn in diesem Land in der Mitte Europas? 　　Von Caspar David Friedrich über Anton von Werner und Arnold Böcklin bis hin zu John Heartfield, Otto Dix und Georg Grosz: Die Künstler wirkten, auf je ihre Weise, an der Entstehung einer gemeinsamen Nation und der Entwicklung einer deutschen Identität mit. 　　Rund 200 Werke wurden für die Ausstellung "De l’Allemagne" im Pariser Louvre zusammengestellt. Sie sind ein Schlüssel zum Verständnis der kulturellen, sozialen und politischen Entwicklung Deutschlands im 19. und zu Beginn des 20. Jahrhunderts in Europa.

长期在外的军人赛回到家乡参加女儿的婚礼。婚礼上欢快的场面让他想起了当年的自己：那时他刚刚12岁，新娘图伊特18岁。图伊特是小妾的女儿，没有什么文化，赛对这个父母硬塞给他的妻子厌恶至极。尽管图伊特竭尽全力想要得到丈夫的爱，但这场带有包办性质的婚姻从一开始就注定是场失败。为了逃避图伊特，赛参了军，并且爱上了另一个女孩，最终选择了离开家乡。 多年以后，在女儿的婚礼上，再一次站在赛身旁的图伊特，泪如泉涌。

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

1979年10月26日，动摇国本的总统遇刺事件发生。事发前半小时，随行秘书官朴泰柱（李善均 饰）接到中央情报部部长下达命令，要求一旦发生任何事情，就必须制服警卫员。然而他放任悲剧发生的行径，究竟是“内乱的共谋”？还是“长官命令下必须服从”？两造争论，成为法庭上的审判焦点。另一方面，只求胜诉不计正义的生计型律师郑仁厚（曹政奭 饰），也介入这场韩国近代史上最糟糕的政治审判，竭尽全力为朴泰柱的清白孤军奋战。在这短短十六天的审判期间，两人还将面对主导这场不公正审判的联合团团长全偿斗（刘在明 饰），最终的审判结果将会是如何呢？

该片讲述一位律师为拯救卷入动摇现代史事件中的一个人物而全力以赴的故事。

在一个犯罪团伙把抢劫他们发现自己卷入好极了 　　After a criminal gang botch a heist they find themselves drawn into a terrifying government conspiracy to cull the population.

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality