An exhibition can also be a space for creation and production. The desire to be able to make a very short film inspired by the vision of feminine hair soon took root in some filmmakers' minds. As part of the logic of this exhibition, the Cinémathèque française wanted these films to come from countries and cultures which took a different stance on feminine hair. This game was therefore proposed to six filmmakers appreciated for their tone, their creative freedom and of course, their films. They all jumped enthusiastically at the idea. 　　Isild Le Besco (born in 1982), an actress since childhood, began producing in 2003. Having inspired the filmmaker Benoît Jacquot (she was awarded the best actress prize at the Venice Mostra for Intouchable [Untouchable]), she has frequently performed the lover's role, often passionate, always sensual and natural. For the exhibition she signs Bette Davis 　　Isild Le Besco - Bette Davis - 2010 　　. 　　Yousry Nasrallah (born in 1952) was first the assistant of Youssef Chahine. He produced his first feature film in 1988. In his films on Egyptian society, in particular with Femmes du Caire [Women of Cairo] he describes the relationships between men and women in a country where the rise of fundamentalism is transforming the position of both sexes. For the exhibition, he signs Objet trouvé sur un tournage [Object found during a shoot]. 　　Pablo Trapero (born in 1971) belongs to the Argentine "New Wave" movement. An independent and committed filmmaker, he has always worked with his wife Martina Gusman, a producer who for some years has acted in front of his camera. For the exhibition, he signs Rumor. 　　Nobuhiro Suwa (born in 1960) began his career in the cinema as assistant producer, then as documentarist for Japanese television. In 1997 he produced his first film which, like all the ones which followed, swung between fiction and documentary. For the exhibition, he signs Les Cheveux noirs [Black Hair]. 　　Abbas Kiarostami (born in 1940) takes an often contemplative and reflective look at Iran and his contemporaries. He observes the world of childhood, a woman's place in a country where the political and the religious rub shoulders, but above all he queries the cinema itself. For the exhibition, he signs No. 　　Abderrahmane Sissako (born in 1961) engages in a dialogue with the contemporary history of the African continent. Through his films, the Mauritanian filmmaker and producer subtly reveals hidden truths, in particular by imagining an improbable trial between civil society and the IMF in Bamako (2006), a veritable plea for a sovereign Africa. For the exhibition he signs Ni brune ni blonde [Neither Brunette nor Blonde].

陈氏集团总裁陈曦月为逃离家族联姻，机缘巧合找上了单亲奶爸林动闪婚。面对林动被相亲对象的骗婚和众人对他民工身份和其家人的嘲笑，她都挺身而出为他撑腰，甚至将他孩子视如己出。然而，当陈曦月面对更大的外国势力压迫和项目危机而无法解决时，林动却能够直接打压住外国佬企图操纵股市的阴谋和为她争夺到项目的开发权。原来他隐藏的身份是大夏至高无上的龙主，最终面对众人的质疑和嘲笑，他强势回归，霸气护家。期间，他遇到的叶氏集团的总裁叶子晴;和陈曦月的妹妹以及他的养姐都对他暗生了情愫。

陈氏集团总裁陈曦月为逃离家族联姻，机缘巧合找上了单亲奶爸林动闪婚。面对林动被相亲对象的骗婚和众人对他民工身份和其家人的嘲笑，她都挺身而出为他撑腰，甚至将他孩子视如己出。然而，当陈曦月面对更大的外国势力压迫和项目危机而无法解决时，林动却能够直接打压住外国佬企图操纵股市的阴谋和为她争夺到项目的开发权。原来他隐藏的身份是大夏至高无上的龙主，最终面对众人的质疑和嘲笑，他强势回归，霸气护家。期间，他遇到的叶氏集团的总裁叶子晴;和陈曦月的妹妹以及他的养姐都对他暗生了情愫。

以春晚为故事切口、讲述百姓生活。

央视与10家兄弟电视台在自己的平台上各自创造了为普通人实现梦想的品牌，《直通春晚》特别节目将12个综艺节目整合在一起，做一次全国运动会式的比拼。

央视与10家兄弟电视台在自己的平台上各自创造了为普通人实现梦想的品牌，《直通春晚》特别节目将12个综艺节目整合在一起，做一次全国运动会式的比拼。

这是一档网友热议春晚的趣味性栏目，让你忍俊不禁，笑出腹肌。

这是一档网友热议春晚的趣味性栏目，让你忍俊不禁，笑出腹肌。