以團體出道，以單飛結束，難道就是娛樂圈組合的生存之道? MIRROR出道兩年半，團隊成績亮麗，但作為獨立個體，每個成員又有否真正面對自己，找到定位?《調教你男友》透過「強制隔離令」，梁祖堯成功「調教」出「理想男友」；今次換上MIRROR 十二位組合成員，於隔離營斷絕經理人保護、隔絕fans愛戴、杜絕偶像包袱，目標只為調教出「理想男團」!

以團體出道，以單飛結束，難道就是娛樂圈組合的生存之道? MIRROR出道兩年半，團隊成績亮麗，但作為獨立個體，每個成員又有否真正面對自己，找到定位?《調教你男友》透過「強制隔離令」，梁祖堯成功「調教」出「理想男友」；今次換上MIRROR 十二位組合成員，於隔離營斷絕經理人保護、隔絕fans愛戴、杜絕偶像包袱，目標只為調教出「理想男團」!

據說愛情這回事，單身的時候特別想擁有；但有伴侶之後，又會想念一個人的自由。是不是因為……身邊那個「他」，不是自己心中的「理想男友」？新型肺炎肆虐時有「強制隔離令」，如果戀愛也有隔離令，一對情侶互不見面、斷絕溝通十日，會是怎樣的體驗？或許善用隔離的這段時間「調教男朋友」，會鍛煉出心中的「理想男友」？

據說愛情這回事，單身的時候特別想擁有；但有伴侶之後，又會想念一個人的自由。是不是因為……身邊那個「他」，不是自己心中的「理想男友」？新型肺炎肆虐時有「強制隔離令」，如果戀愛也有隔離令，一對情侶互不見面、斷絕溝通十日，會是怎樣的體驗？或許善用隔離的這段時間「調教男朋友」，會鍛煉出心中的「理想男友」？

和认为爱情是‘双向贸易’的达人爱情顾问有着至高至纯单恋的炮弹女的骗与被骗的欺诈剧。造景师李真伊为了得到单恋了很久的泰俊的心伪装成客户，去了他的顾问公司。通过泰俊的指导变身为理想型女人的真伊和假的单恋对象展开了假的恋爱。

飞盒艺术派是国内首个面向绘画爱好者的在线学习交流平台。丰富的互动式绘画学习环境、原创绘画学习资源和极具趣味性的绘画工具。这里是每天充满着各种Q版人物的卡哇伊二次元世界，有艺术家和软妹子还有一只叫溜溜的雪纳瑞....学习漫画和调休大爷家的喵星人...喵，大本营www.17mina.com 、

飞盒艺术派是国内首个面向绘画爱好者的在线学习交流平台。丰富的互动式绘画学习环境、原创绘画学习资源和极具趣味性的绘画工具。这里是每天充满着各种Q版人物的卡哇伊二次元世界，有艺术家和软妹子还有一只叫溜溜的雪纳瑞....学习漫画和调休大爷家的喵星人...喵，大本营www.17mina.com 、

《你教我我教你》是一档由凯艺国际旗下艺人郑佩佩与其子原和玉主持的美食烹饪节目。节目中母子二人为观众呈现一道道值得静静咀嚼，轻轻回味的美食料理。

《你教我我教你》是一档由凯艺国际旗下艺人郑佩佩与其子原和玉主持的美食烹饪节目。节目中母子二人为观众呈现一道道值得静静咀嚼，轻轻回味的美食料理。

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.