青梅竹马的好友莎夏和马库斯闹翻了，并且 15 年都没说过话。莎夏成为了洛杉矶的名厨，回到家乡旧金山开了一家餐厅，就在这里，她遇到了老朋友 — 一位快乐、知足的音乐家，他一直与父母同住并为父亲打工。尽管两人都不情愿和好，但他们很快就发现彼此之间还存在旧的火花，或许还擦出了一些新火花。

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

本片以5281网站站长左恒为原型，讲述其退伍回到地方后创办八一军婚网站为部队军人免费征婚的艰辛创业励志故事……

本片以5281网站站长左恒为原型，讲述其退伍回到地方后创办八一军婚网站为部队军人免费征婚的艰辛创业励志故事……

夜深人静，万籁俱寂，皮特班长独自在军营内巡逻，营房内传来阵阵有节奏的呼噜声，班长对这一切都很满意。可是……这呼噜声似乎又有些不对劲。班长走入一间营房，发现呼噜声发自一张音效唱片，而床上躺着的竟然都是假人。原来这群顽皮的士兵都趁着夜晚偷偷溜出硬地玩耍了，这一发现令班长大为光火。与此同时，结束了夜晚狂欢的唐老鸭（克拉伦斯·纳什 Clarence Nash 配音）乘车返回军营，并偷偷溜入其中。他没有想到，气愤地皮特班长正等着他呢…… 　　本片制作于二战期间，迪斯尼在战时被政府徵收，不仅原定长片计划搁浅，还制作了许多类似服务于政治的宣传短片。

夜深人静，万籁俱寂，皮特班长独自在军营内巡逻，营房内传来阵阵有节奏的呼噜声，班长对这一切都很满意。可是……这呼噜声似乎又有些不对劲。班长走入一间营房，发现呼噜声发自一张音效唱片，而床上躺着的竟然都是假人。原来这群顽皮的士兵都趁着夜晚偷偷溜出硬地玩耍了，这一发现令班长大为光火。与此同时，结束了夜晚狂欢的唐老鸭（克拉伦斯·纳什 Clarence Nash 配音）乘车返回军营，并偷偷溜入其中。他没有想到，气愤地皮特班长正等着他呢…… 　　本片制作于二战期间，迪斯尼在战时被政府徵收，不仅原定长片计划搁浅，还制作了许多类似服务于政治的宣传短片。

A World War II British officer named Charles Coward, having been captured by the Germans, tries everything he can to escape. In the process, among many other adventures he gets awarded the Iron Cross.

A World War II British officer named Charles Coward, having been captured by the Germans, tries everything he can to escape. In the process, among many other adventures he gets awarded the Iron Cross.

改编自法国片《逃犯》（LES FUGIFIF'S）的抢银行喜剧，将造物弄人的主题透过结构巧妙的故事发挥得淋漓尽致。尼克·诺尔蒂饰演刚出狱的大盗，他在银行遇上乌龙劫匪马丁·肖特，竞被劫持为人质，导致警方误以为他重操旧业，不得不展开逃亡。相处之下，诺尔蒂发现肖特其实有小人物的辛酸故事，并且跟他的小女儿莎拉·罗露产生了一段温馨的感情，从而也溶化了他冷傲的心。