根据露易丝·艾尔德里希长篇小说《屠宰师歌唱俱乐部》改编，战后有不少德国人去美国谋生，费德里斯也千里迢迢来到美国西部，为了开创新的生活，他干起了老本行…

根据露易丝·艾尔德里希长篇小说《屠宰师歌唱俱乐部》改编，战后有不少德国人去美国谋生，费德里斯也千里迢迢来到美国西部，为了开创新的生活，他干起了老本行…

哈迪杰是一位来自伊朗的库尔德族老妇人，她有两件迫切的事要做：一是照料一只翅膀被高压电线击伤、滞留当地的鹳；二是劝阻女儿移民英国。在她看来，帮助受伤的鹳重返迁徙之路，与留住自己的女儿，这两件事之间毫无矛盾 —— 只是，这两者都无法仅凭心意实现。而其中，改变女儿的想法，要难得多。 　　影片《歌唱的翅膀》以风景如画的库尔德斯坦（鹳的栖息地）为背景，记录了哈迪杰忙碌的生活。这位老妇人天生的幽默感与爽朗乐观，总能让观众会心一笑，这正是影片的灵魂与动力所在。 　　导演哈莱迪本身就是这片土地的本地人，他并未纠结于库尔德人的苦难，而是选择用最美好的镜头，将他们纯粹的精神与质朴的生活方式呈现在银幕上。这部影片，宛如一则在童话般的世界里徐徐展开的寓言。

哈迪杰是一位来自伊朗的库尔德族老妇人，她有两件迫切的事要做：一是照料一只翅膀被高压电线击伤、滞留当地的鹳；二是劝阻女儿移民英国。在她看来，帮助受伤的鹳重返迁徙之路，与留住自己的女儿，这两件事之间毫无矛盾 —— 只是，这两者都无法仅凭心意实现。而其中，改变女儿的想法，要难得多。 　　影片《歌唱的翅膀》以风景如画的库尔德斯坦（鹳的栖息地）为背景，记录了哈迪杰忙碌的生活。这位老妇人天生的幽默感与爽朗乐观，总能让观众会心一笑，这正是影片的灵魂与动力所在。 　　导演哈莱迪本身就是这片土地的本地人，他并未纠结于库尔德人的苦难，而是选择用最美好的镜头，将他们纯粹的精神与质朴的生活方式呈现在银幕上。这部影片，宛如一则在童话般的世界里徐徐展开的寓言。

这张全长116分鐘的影像纪录片『歌唱的艺术』堪称20世纪最精彩的影像纪录，从1911年默片时代本世纪第一位歌王卡罗素开始、50年代称霸大都会歌剧院的首席女高音史蒂汶丝、『前三大』男高音的科雷理、史蒂法诺分别演唱<<杜兰朵公主>>里的卡拉富王子与<<丑角>>真情至性的<粉墨登场>、毕约林与提芭蒂1956年合作<<波西米亚人>>的珍贵录影、『歌剧女神』卡拉丝早年於里斯本的<<茶花女>>以及1964年於科芬园歌剧院的<<托丝卡>>绝唱、庞赛儿1936年为电影试片载歌载舞的<<卡门>>录影、花腔之后苏莎兰、第一位扬名国际的美国黑人女高音普莱丝、本世纪最伟大的华格纳女高恩弗拉格丝塔、歌剧迷心中最伟大的莫札特男高音温德利许演唱<<魔笛>>等等28位世纪歌唱家的珍贵影像纪录，同时兼具欣赏与研究的高度价值。

高中老師韮崎是一名男同志，卻受限於福態而遍尋不著對象。某天他發現自己的學生四方津也是同志，令他對四方津產生幻想，卻發現四方津其實心儀班上的資優生。韮崎雖然沮喪，仍鼓勵四方津勇敢告白，也因而令自己重拾信心。

高中老師韮崎是一名男同志，卻受限於福態而遍尋不著對象。某天他發現自己的學生四方津也是同志，令他對四方津產生幻想，卻發現四方津其實心儀班上的資優生。韮崎雖然沮喪，仍鼓勵四方津勇敢告白，也因而令自己重拾信心。

Love for the world and other people and about the fact that everyone deserves a second chance. When Patryk receives it from a priest Jan Kaczkowski does not even suspect how it will change his life.

Popular New York band leader Terry Rooney (Cagney) is offered a lucrative film contract out in Hollywood. Rooney and his soon-to-be wife pack up and head for California. Upon arriving, they meet Mr. Regan, the head of the studio, who believes that Rooney's true lack of desire for stardom is arrogance on the band leader's part. When his first film is huge success and a hit for the studio, Regan tries to hide the truth from Rooney. Feeling a need to get away from Hollywood, Rooney takes his wife on a South Seas honeymoon cruise, only to return to the real truth of his fame.

First occupied by the Soviets in 1939, then by the Nazis, and then by the Soviets again, Estonia lived through decades of terror. By the end of World War II, more than one-quarter of the population had been deported to Siberia, been executed, or had fled the country. Music sustained the Estonian people during those years, and was such a crucial part of their struggle for freedom that their successful bid for independence is known as the Singing Revolution. The Singing Revolution is the first film to tell this historically vital tale. “This is a story that has not been told outside Estonia,” said filmmaker James Tusty, who is of Estonian descent. “We felt it was time the rest of the world knew of the amazing events that happened here.” In 1999, Tusty and his wife and co-producer Maureen lived in Tallinn, Estonia, while teaching film production at an Estonian University. The experience sparked their interest in the Singing Revolution, and in 2001 they returned to Estonia to teach and also to begin the meticulous research that would anchor their documentary. To make the film, the Tustys interviewed more than forty movement leaders, Estonian statesmen, and average citizens. They also combed through archives around the world...unearthing rare, forgotten footage of life under Soviet rule. Four years in the making, The Singing Revolution is a moving, intensely human testament to the sustaining power of hope and the motivating strength of song. The film reflects the indomitable human drive for personal freedom, political independence, and self-determination. The Singing Revolution was produced by Mountain View Productions with Allfilm and Northern Light Productions, and in association with the U.S.-Baltic Foundation, The Estonian American National Council, and the Moving Picture Institute. The executive producers are Steve and Karla Jurvetson. The producers are the Tustys, Bestor Cram, Piret Tibbo-Hudgins, and Artur Talvik. The directors are the Tustys and Mike Majoros. The film was edited by Mike Majoros and written by Majoros and the Tustys.