沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

草道苍太（中泽元纪 饰）曾在游戏公司工作，三年后离职回到家中。他一边帮忙打理面包店，一边沉迷于虚拟世界，过着啃老族的生活。父母决定关店去旅行后，他被迫重新求职，却屡屡碰壁。偶然间，他接触到了以AI为基础的智慧农业。 与此同时，在东京公关公司工作的泽树结女美（石川恋 饰），因工作失误被停职。正要返乡务农的好友犬山萌子（丹生明里 饰）向她提出合作。 这三个人都处在人生的转折点上，他们通过智慧农业迎来了新的开始。

草道苍太（中泽元纪 饰）曾在游戏公司工作，却三年后离职，回到家中一边帮忙面包店一边沉迷虚拟世界，过着啃老族生活。父母决定关店旅行后，他被迫重新求职，却屡屡受挫，意外接触到以AI与无人机为特色的智慧农业。与此同时，在东京公关公司工作的泽树结女美（石川恋 饰）因工作失误被停职，正要返乡务农的好友犬山萌子（丹生明里 饰）向她提出合作。三人在人生的转折点上，通过智慧农业迎来新的开始。

60年代，美国西海岸，加利福尼亚。硅谷处于改变一切的变革时期，嬉皮士、怪人和爱好者梦想拥有自己电脑的时期。在那之前，只有公司、一些大学以及政府拥有昂贵的大型计算机。人手一台小型计算机？不可能、不相信、没听过。个人计算机的先驱者相信更好的世界，可以从垄断企业手上夺走主流计算机的威力。在权力归花儿和反战抗议之间，70年代嬉皮士、电脑迷和商人的梦想在这里实现。个人计算机成了对抗老大哥的解放工具。1975年，家用计算机第一次进入市场，震惊了爱好者和嬉皮士们。

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。