牛强是德育小学四年级学生，品学兼优，爱好踢足球。班主任金老师每天放学前布置作业太多，同学们意见很大。向校长反映情况的林小娟在课堂上受到金老师批评，牛强站起来替小娟抱不平，金老师非常生气。好拨弄是非的李小芬则暗示大家孤立林小娟，留级生张大钧爱搞恶作剧，借机散布牛强和林小娟相好的谣言，牛强气愤不过，与之扭打起来。闻讯赶来的金老师不分青红皂白，当堂宣布处分牛强，牛强不服，与其争辩。面对如此局面，林小娟深感不安，约班长徐健美亲赴金老师家里道出原委，金老师听后内心深感惭愧，对自己简单粗暴的教学方式很后悔......

老作家安东尼奥（安东尼奥·拉瑞塔 Antonio Larreta 饰）八十多岁了，有一天他突然梦到了小时候的年轻保姆的脸。这一天，安东尼奥多年未见 的钢琴师儿子就要回家探望刚因心脏病发而卧床输液的父亲。家庭护士玛利亚（玛利亚·得尔卡门·吉门耐兹 María del Carmen Jiménez 饰）和艾米莎（艾米莎·罗丹 Emilse Roldán 饰）从清早起便开始忙碌，要给安东尼奥做早点， 打针吃药，理发，找琴师来调几十年都没人弹的德国钢琴，侍弄菜园，还得对付安东尼奥的健忘病。但谁也没想到，不听话的安东尼奥竟然一个人揪着输液袋子偷偷溜出了屋，这可急坏了大家…… 　　本片获西班牙巴亚多利国际电影节国际影评人协会费西比奖，并被提名金穗奖。

入围第71届柏林电影节短片单元。

Rosa is a prostitute who inherited her profession from Antonia, her mother, who thinks she is Sara Montiel and who has turned her daily life into hell. Rosa does not know how to be happy. She finds it simply impossible. But the unexpected arrival of a new member to her odd family will give her a unique opportunity to achieve happiness. 　　It Is a film about family. Women leaving “La puerta abierta” are very different, have come from different countries or living here for years. They love and fight in equal parts, but all form a vital and hilarious group almost like a real family.

讲述一个青少年和母亲(Piercey Dalton饰)搬进新家，却发现被一股邪恶的力量所围绕。

尼克拉是一位失业的音乐老师，他在找到一个住的地方之前必须住体育馆，后来他在格拉夫的公寓里找到一个公共房间，这个房间前任居民，一位老太太死于一年前，她养的一只猫仍然被锁在房间里，长的即健壮又肥胖，不久尼古拉和他的邻居发现了神秘的事情，房间里有一扇通向巴黎的空窗户，喜剧开始的时候，这些俄国人能够抵挡这发现了的利益诱惑吗？

This short film, made in 2005, starts when Framton Nuttel enters the house of Mrs Sappleton. He is a young man from London suffering from nervous exhaustion, and he goes to the country side for some prescribed rest. He calls upon Mrs Sappleton, an acquaintance of his sister’s. 　　He is shown to the parlour by Mrs Sappleton’s niece, Vera, who entertains the man while he awaits the appearance of his host. Vera tells a story, the terrible tragedy of Mr Sappleton and his sons. He is told how they went out hunting in the marshes, and were lost in a fog three years earlier. Their bodies were never found but the mistress of the house insists that the French doors are left open every day until dusk, preying and hoping that one day they will return. 　　Mrs Sappleton arrives in the room, and quite blithely references that the doors are left open in expectation of her husband and sons. Nuttell and Vera exchange a knowing look. Tea is served while Mrs Sappleton reads Framton’s letter of introduction. As they sit, trying to make polite conversation, Framton notices figures emerging from the mist and heading towards the open doors. 　　Mrs Sappleton exclaims in surprise and delight, but the look of horror on Framton’s face is obvious. He drops his tea cup and leaves the room and house as fast as he can. 　　When Mr Sappleton inquires after the guest he saw leaving in a hurry, Mrs Sappleton explains that he was visiting the country for his health but that she thought he was an odd man. Vera continues to explain his sudden departure as being caused by the dogs they had with them. She explains that he had spent a terrible night some years ago that he was chased along The Ganges by a pack of wild dogs. The film finishes with Vera giving the camera a cheeky knowing glance. 　　http://www.michael-sheen.co.uk/newsdesk/filmography/film-index/the-open-doors/

斯坦·布拉哈格，是“新美国电影"的代表人物之一，也是世界实验电影史上著名的先锋派导演之一。他的很多作品在各种国际电影节上得到承认。最近，他影片《狗·星·人》（Dog Star Man）入选美国国家电影名册（此碟中有收录）。2001年，他的6部新片入选第58届威尼斯电影节“新领域"单元。 　　《By Brakhage: An Anthology》共收录了斯坦·布拉哈格的26部短片作品，片长243分钟。 　　2003年3月，实验电影导演斯坦·布拉奇治被癌症夺去了生命。他远离主流风格，在过去的半个世纪里拍摄了近400部影片。 　　斯坦·布拉奇治很少使用叙述的方法。其作品包含了从直露地拍摄做 ，爱、婴儿诞生及尸体解剖的实验电影到直接在胶片上描画、刮擦的艺术创作等各种形式。他的那些关于“生育、性和寻找上帝”的电影提供了充分的视觉体验，对观众的感知和观察方法形成挑战。