塔里克·圣帕特里克决心洗心革面，回到家人身边，并永远退出毒品生意。一位新货商的出现扰乱了塔里克的计划，迫使他、布雷登和埃菲重新与特哈达一家做生意。 　　布雷登让塔里克在自家的对冲基金公司实习，导致他们的毒品生意从斯坦斯菲尔德扩展到了华尔街。莫奈·特哈达想为长子报仇，管好其他孩子和生意，为此，她不惜付出一切代价；她与戴维斯·麦克莱恩密切合作，意图解决齐克被害一案，也让联邦调查局不再调查她。与此同时，一个令人震惊的爆料让塔里克不得不正视挚友的背叛……

节目从数学的基础概念出发，带领观众进入一个充满挑战与思考的概率世界。

本片出自大名鼎鼎的文艺片大导演宋项如之手，绝对的满分之作。宋导拍摄电影手法细腻，剧情娓娓道来，富有诗和歌的对白以及画面，把夫妻最难言直讳的感情释然。张国柱在片中饰演体操运动教练高拓，与妻子曾秀孚（刘明饰）夫妻感情出现危机，最后到了离婚的地步。此时的高拓遇到采访他的记者汤修咏（胡慧中饰），慢慢的发展成为恋人关系。沉浸在爱情中的修咏是天真的，是可爱的，全然不顾高拓刚经历的爱情变革。有句话说得好，唯有两种人不可忠告，恋人以及赌徒。最后高拓的妻子回来，让修咏很是受伤，最后划着小舟，在一曲甄妮伤感的音乐中落下帷幕。本片中张国柱跟他四岁的儿子张震同台演出，张震在片中饰演小健。本片由上海文化录音录像中心拿到了国内的唯一版权，以《婚外情》名字发行。

《数学城小姐弟Team Umizoomi》是美国尼克公司制作的一套音乐幻想儿童动画系列，旨在增强学龄前儿童对数学概念的理解。采用二维和三维电脑动画，辅以真人效果，将图案、数字和形状的知识融入动画，帮助幼儿用数学方法解决日常生活问题。色彩感极强，适应学龄前儿童心理

正在读高二的卢卡斯 （ 阿克塞勒·奥赫扬 饰）在高中会议上被高四转校生艾略特 （ 马克桑斯·达奈-弗伟尔 饰）吸引。这次的相遇触发了卢卡斯内心深处的感情和疑问。起初，他小心试探艾略特，但当他发现对方有女朋友后，他的心情变得复杂起来。卢卡斯开始上网搜索如何最好地向周围人隐瞒自己的同性恋身份，并开始接近一个追求他的高二女生，仅仅是为了隐瞒自己的性取向 。

粘土猫版《突变第三型》，各种约翰卡朋特初创意还原

第三季以全球经济危机为大背景，与丹麦议员竞选相结合，起因是一家大型家族旗下的一艘废旧轮船里面惨死的船员，随后 sarah 探长凭借她特有敏锐洞察力，开始了又一次扑朔迷离的办案过程，不仅为大家揭露了政治经济阴谋，更赤裸裸地展现了人性的阴暗面。 　　以下全文摘自＠newlight 的影评《The Killing III 开播》： 　　丹麦电视连续剧 The Killing 3 （Forbrydelsen III）上个周末开始在 BBC Four 播出了，一共 10 集，每周播出 2 集。这是 The Killing 系列的最后一集。 　　The Killing III 在故事框架上和 The Killing 十分相似。女主角 Sarah Lund 在一开头都急于离开岗位，在 The Killing 中是为了搬到瑞典与未婚夫结婚，在 The Killing III 中是为了调离第一线的破案工作，到一个听上去很无聊的 OPA（Office of Planning and Analysis）部门。两次离开的企图都是为了一个稳定的家庭生活――重建婚姻或是和儿子有正常的交流。从 The Killing 到 The Killing III，时间跨度上应该有 5 年了吧，儿子已经长大成人，但是与母亲的关系似乎已是无法弥补。 　　急于离开的 Lund，在一开始时都试图尽量减少自己的介入程度，但是每次都不由自主地深陷其中，她没法压制自己敏锐的嗅觉和不顾一切寻找真相的冲劲。 　　每次 Lund 都有一名新的搭档，在 The Killing 中是大大咧咧的 Jan Meyer，The Killing III 中是年轻的 Asbjørn Juncker，另一个搭档 Borch 似乎在 The Killing 2 中出现中。 　　和 The Killing 一样，The Killing III 的受害人中，也有一个女孩，虽然年纪小很多，但已经很懂事。和 The Killing 一样，这里同样强调受害人父母遭受的打击，当然 The Killing III 中他们有参与能力，而不会像 Birk Larsen 一家那么无助。 　　和谋杀案并行的，是哥本哈根的政治斗争。在 The Killing 中是市长竞选，在 The Killing III 中是丹麦首相竞选——难怪这是最后一季了。这一条线的主角都是候选人，身边都有一男一女两个助手，都需要争取“中间党”（Central Party）的支持。但是在 The Killing 中，观众虽然喜欢候选人 Thoels，但是对他的动机和嫌疑依然存疑，到了 The Killing III，候选人 Kristian 显然是个正面人物，而且绝无嫌疑。 　　所以说，虽然 The Killing III 依然惊心动魄，但却缺乏 The Killing 那样精心的角色设计，可以想像观众对 Sarah Lund 的感情投入没有丝毫减弱，但是对其他角色却没了像对 Thoels 和 Theis 那般的认同和喜欢。The Killing III 必须靠 Sofie Gråbøl 的 Sarah Lund 独力撑起来了。

“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage. 　　Not long after, history repeats itself: once again, Ting is sent to a re-education centre, branded a class traitor – this time because of a new political movement. The family is split. All they can do is write to each other. The daughters are older and going to university, while Jiaqi and his new mother are sent to the countryside. They all wait to be reunited one day. 　　For the images, the director mixes and reinvents materials, including brightly coloured clay puppets, propaganda images, surrealist collage, and pop-art animation. The animation is an imagined and fantastic representation of what happened to the family at the time: locked in cages, Jiaqi and his sister become birds, and Ting – as half bird, half man – can also fly. 　　Although the turbulent recent history of China is the thread running through this film, the strong, vivacious family takes the foreground. Silver Bird and Rainbow Fish is an ode to family, memory, and the reconstruction of family history in the History of China.

“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage. 　　Not long after, history repeats itself: once again, Ting is sent to a re-education centre, branded a class traitor – this time because of a new political movement. The family is split. All they can do is write to each other. The daughters are older and going to university, while Jiaqi and his new mother are sent to the countryside. They all wait to be reunited one day. 　　For the images, the director mixes and reinvents materials, including brightly coloured clay puppets, propaganda images, surrealist collage, and pop-art animation. The animation is an imagined and fantastic representation of what happened to the family at the time: locked in cages, Jiaqi and his sister become birds, and Ting – as half bird, half man – can also fly. 　　Although the turbulent recent history of China is the thread running through this film, the strong, vivacious family takes the foreground. Silver Bird and Rainbow Fish is an ode to family, memory, and the reconstruction of family history in the History of China.

探员sarah lund 有了新的合作搭档，这次案件涉及到军队 、恐怖组织、 伊斯兰宗教， 十分紧张刺激，结局也十分反转出乎意料，而我们的sarah与新搭档又会擦出什么新的火花呢？