栋笃笑《拾下拾下》于1999年8月10日在香港伊利沙伯体育馆首演，是黄子华栋笃笑系列的第七辑。

栋笃笑《拾下拾下》于1999年8月10日在香港伊利沙伯体育馆首演，是黄子华栋笃笑系列的第七辑。

今年10月10日，是“香港女儿”梅艳芳55岁的冥寿。一班多年的忠实粉丝，非常有心的花了八年的时间和心血，为了纪念这位百变天后，拍摄了纪念电影《朝花夕…

欧防风录像种植所第十作。我们小组收藏大量世界各地的录像带，每当我们有已经将录像带探索到极限的天真想法的时候，新出土的录像带类型和内容又会让我们感到自身的渺小。借助我们近年来所捡拾的录像带，我们将通过《TEN tapes》这部论文电影向观众呈现录像带世界深不可测的探明深度。它们可能普通得怪异，但又可能怪异得普通。 　　The tenth work of the Pastinaca Videotapes Plantation. Our group has a large collection of videotapes from all over the world. Whenever we have the naive idea that we have explored videotapes to the limit, the genres and contents of newly unearthed videotapes will make us feel insignificant. With the help of the videotapes we have found in recent years, we will present the unfathomable depth of the videotape world to the audience through the video essay "TEN tapes". They may be too ordinary to bizarre, but they may also too bizarre to ordinary.

历史，往往被描绘为一系列宏大的事件和人物。然而，在这宏大的画卷中，也隐藏着许多鲜为人知、却又趣味横生的故事。让我们在趣小史的带领下去感受历史的魅力吧。

历史，往往被描绘为一系列宏大的事件和人物。然而，在这宏大的画卷中，也隐藏着许多鲜为人知、却又趣味横生的故事。让我们在趣小史的带领下去感受历史的魅力吧。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... 　　Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... 　　Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.