1978年，澎湖西吉嶼遷村後成為無人島，王船儀式依然深植集體記憶，象徵對亡魂的安息與不捨。儀式中，遺體安置於王船，漂向大海，隱喻靈魂歸返與生命輪迴。黑水溝流域船難歷史賦予此儀式深刻的精神意涵。影片無旁白、無字幕，透過畫面與聲音重現儀式，並結合3D掃描與電腦動畫，探索海洋文化的情感與歷史脈絡。

1978年，澎湖西吉嶼遷村後成為無人島，王船儀式依然深植集體記憶，象徵對亡魂的安息與不捨。儀式中，遺體安置於王船，漂向大海，隱喻靈魂歸返與生命輪迴。黑水溝流域船難歷史賦予此儀式深刻的精神意涵。影片無旁白、無字幕，透過畫面與聲音重現儀式，並結合3D掃描與電腦動畫，探索海洋文化的情感與歷史脈絡。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

首 2集簡介--女神與仙氣--人類及世界從何而來？遠古先民都是靠神話去認識人類價值、世界運作及何謂生死。而神話中的女神與娘娘，她們不懂自拍修圖派軍糧，只懂創世造人掌生死，循她們的神力及角色地位變遷，可尋溯出人類精神、文化及女權思潮的歷史。今集《文學放得開》主持鄧小樺，以 及陳煒舜教授、黃鈺螢、黃嘉瀛，從古代感生神話說起，以女媧、西王母、天后等諸位女神的故事，討論不同女神形象跟現代社會價值的密切關係。 　　第 2集--什麼是文學?如何閱讀文學?何時閱讀文學?新一季文學放得開以不同的問題作開始，與觀眾剖析文學。主持們從閱讀習慣開始討論，繼而探討不同文體對閱讀習慣的影響。 　　在這個步伐急促的城市，應如何閱讀文學?速讀、跳讀是否有效率的閱讀方法?六十年代起，法國作家開展一種新的文體–撲克牌小說，改變了讀者的閱讀模式。讀者從被動地閱讀文本轉為主動地參與文本的創作。讀者在文學中有著怎樣的角色?

国际名人跨界互动问答脱口秀节目。围绕过去十年和未来十年的话题，邀请两位不同领域的“大家”跨界对话，产生富有想象力的思想碰撞。

国际名人跨界互动问答脱口秀节目。围绕过去十年和未来十年的话题，邀请两位不同领域的“大家”跨界对话，产生富有想象力的思想碰撞。

灵域最低等级的赤澜大陆上，少年秦烈横空出世。在寻找自己身世和追求更高修为道路上，他遇上了同样傲气和高远之志的杜少扬。两人亦敌亦友，只因杜少扬是…