在塞尔维亚首都贝尔格莱德的郊区，坐落着世界闻名的考古遗址——温查遗迹，这里是欧洲新石器时代文化的摇篮。据调查研究，欧洲最早的有组织性的人类聚居区就在此地。可如今，这里却变成了巴尔干地区最大的垃圾填埋场。本片以无采访的观察方式，追踪一批以前拳击手亚尼卡为首的拾荒者，具有社会讽刺意味的是，在这里从事瓶子回收工作的工资是塞尔维亚平均工资的两倍多。影片不只有批判当代社会过度消费塑料的环保呼吁，还展示了一场人们争夺垃圾资源的权力游戏。

在塞尔维亚首都贝尔格莱德的郊区，坐落着世界闻名的考古遗址——温查遗迹，这里是欧洲新石器时代文化的摇篮。据调查研究，欧洲最早的有组织性的人类聚居区就在此地。可如今，这里却变成了巴尔干地区最大的垃圾填埋场。本片以无采访的观察方式，追踪一批以前拳击手亚尼卡为首的拾荒者，具有社会讽刺意味的是，在这里从事瓶子回收工作的工资是塞尔维亚平均工资的两倍多。影片不只有批判当代社会过度消费塑料的环保呼吁，还展示了一场人们争夺垃圾资源的权力游戏。

蓝天白云，植被叠嶂。故事发生在不知过了几百年几千年后的地球。也不知道因为什么原因，人类文明消失殆尽。曾经的繁华都市变成废墟，高楼大厦依然矗立，但都被绿色植物所覆盖，成为了无生气的古文明建筑。某座摩天大厦，一名戴着面罩的男子鼓捣出一个铁箱子，里面藏着旧文明的东西。就在此时，天空中响起了引擎轰鸣声，一架悬停飞机出现在他的头顶上。男人见状不好，连忙迅速跑开，骑上停在一边的摩托夺路逃亡，而空中的飞机则紧追不舍，甚至发射了跟踪导弹。 　　追逐仍在继续，而今的地球仍然没有回复宁静……

蓝天白云，植被叠嶂。故事发生在不知过了几百年几千年后的地球。也不知道因为什么原因，人类文明消失殆尽。曾经的繁华都市变成废墟，高楼大厦依然矗立，但都被绿色植物所覆盖，成为了无生气的古文明建筑。某座摩天大厦，一名戴着面罩的男子鼓捣出一个铁箱子，里面藏着旧文明的东西。就在此时，天空中响起了引擎轰鸣声，一架悬停飞机出现在他的头顶上。男人见状不好，连忙迅速跑开，骑上停在一边的摩托夺路逃亡，而空中的飞机则紧追不舍，甚至发射了跟踪导弹。 　　追逐仍在继续，而今的地球仍然没有回复宁静……

“Series of Actions” focuses on the origins of the idea of film archiving in Thailand that is linked to the complex web of socio-political. Through exploring the body of work of Dome Sukvong, the founder of Thai Film Archive, including his essays, books, letters, memoirs, and reports. 　　Chaikitiporn brings back Sukvong's archival materials to be re-reading by the voices of Thai Film Archive staff. Combined with the oldest moving images in Thailand from Topical Film Service of Royal State Railways, the national film production centre during the absolute monarchy era, which Sukvong discovered in 1981, and led to the labour for the dream of establishing a Film Archive in Thailand.

At the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates. 　　源自：https://www.cinemadureel.org/en/films/laberint-sequences-2/

以照片作為媒材，透過膠卷播放的平行捲動、機械式的 　　聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 　　Serial Parallels approaches Hong Kong's built environment 　　from the conceptual perspective of celluloid film, 　　by applying the technique of film animation to the 　　photographic image. Its signature architecture is 　　reimagined as parallel rows of film strips.

At the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates. 　　源自：https://www.cinemadureel.org/en/films/laberint-sequences-2/

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

以照片作為媒材，透過膠卷播放的平行捲動、機械式的 　　聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 　　Serial Parallels approaches Hong Kong's built environment 　　from the conceptual perspective of celluloid film, 　　by applying the technique of film animation to the 　　photographic image. Its signature architecture is 　　reimagined as parallel rows of film strips.