In Postscript, the drowned footage recovered from the Karaj Dam in Iran—where French filmmaker Albert Lamorisse crashed in 1970—resurfaces. The work is anchored by a phone conversation with an Iranian archivist, speculating on Lamorisse’s death and the restoration and circulation of his final images.

In Postscript, the drowned footage recovered from the Karaj Dam in Iran—where French filmmaker Albert Lamorisse crashed in 1970—resurfaces. The work is anchored by a phone conversation with an Iranian archivist, speculating on Lamorisse’s death and the restoration and circulation of his final images.

该影片故事设定在1986年，即《招魂3》的五年后。沃伦夫妇因艾德在第三部中经历恶灵事件而突发心脏病，已正式退休，不再从事驱魔工作。他们仍会到大学巡回演讲，但连这类机会也在逐渐减少。一些事件最终还是让他们重返战场。

The film will offer viewers a Hrubin-style summer picture of a small village and its inhabitants, where several love relationships intertwine. A young widow with a teenage daughter comes to live with her father for the summer. The mother has an affair with the local gamekeeper. Her daughter also likes him, but she is overtaken by a local bachelor of the same age. Another pair consists of two young children of school age and their childhood hobbies. Summer loves evolve and fade, summer ends.

西弗吉尼亚州偏远的格林班克小镇是世界上最大的射电望远镜的所在地，这台望远镜能够捕捉到来自宇宙各处的微弱信号。为了实现这一功能，望远镜被安置在“静默区”，这是美国唯一一个禁止使用Wi-Fi和手机信号的地方，创造了一个在当代世界中无与伦比的寂静环境。

N is crossing the desert to reach the north of Africa and make an illegal crossing to Europe. After a robbery, he finds himself left alone in Tunisia. 　　Finally, he decides to cross the sea alone towards a European country. He will steal a boat and begin his journey, except that the ship breaks down in the middle of the sea. 　　From that moment on, N will undergo a special and unique voyage, he will discover different and infinite spaces, will have intense and fleeting encounters, and will meet another altered image of himself.

故事设定在1986年，即《招魂3》的五年后。沃伦夫妇因艾德在第三部中经历恶灵事件而突发心脏病，已正式退休，不再从事驱魔工作。他们仍会到大学巡回演讲，但连这类机会也在逐渐减少。一些事件最终还是让他们重返战场。 　　这次的核心案件，是沃伦夫妇生涯中最著名的一起事件之一：斯莫尔家族闹鬼案。据“新英格兰通灵研究协会”（由艾德与洛琳的现实中的女儿朱迪和女婿托尼·斯佩拉负责运营）称，1970年代，珍妮特与杰克·斯莫尔搬入宾夕法尼亚州西皮特斯顿查斯街上的一套复式住宅。随后数年，包括他们的女儿与杰克的父母在内的家人纷纷声称经历了超自然现象，从怪味、怪声到鬼魂骚扰等。

该剧设定在幕府为财政进行享保改革时期，有江户幕府“中兴之祖”、“暴坊将军”之称的德川第八代将军德川吉宗的时代，讲述作为他的精神支柱一直在背后默默支持他的侧室久免的人生故事。

BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。 　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail 　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969. 　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired. 　　特别收录 Special Feature 　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation 　　剧相馆 Photo gallery of behind-the-scenes stills

《文明的对话》是一档依托国内外各大权威博物馆典型藏品、通过各领域文化名人与博物馆专家对话交谈的形式、旨在以今人视角解读中华文明与其他人类文明之间创造性历史碰撞的大型实景类文化纪实节目。