如果生命可以重来一次，你会愿意选择完全不同的轨道吗？已经失去99.9%的身体的唐小寒，用0.01%的奇迹置换了一次新生，但是，等等，好像有什么地方不太对！？

如果生命可以重来一次，你会愿意选择完全不同的轨道吗？已经失去99.9%的身体的唐小寒，用0.01%的奇迹置换了一次新生，但是，等等，好像有什么地方不太对！？

苏卿曾是京城苏家备受瞩目的明珠，因家族企业破产和未婚夫霍长安与养妹苏南星的双重背叛，生活陷入困境。在经历了一系列的误会和挑战后，霍西沉和苏卿在一次春日的花展中重逢，解开了心结。两人在花海的见证下，坦诚相对，决定共同面对未来的挑战，携手共建未来。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

一名年轻女子在生活中老是做出错误的选择。年青时，她和窃贼结婚并生下孩子，后来他很快进了监狱。生活寂寞之中她和另一个贼好上了，虽然他带给她某些快乐，但二人的关系也因他进了监狱而告终。其后，她连续和一些不光彩的人好上了，除了短暂的欢悦，他们不能给她提供甚么。后来，她儿子失踪了，她才暂时地处理对她最重要的人物。

一名年轻女子在生活中老是做出错误的选择。年青时，她和窃贼结婚并生下孩子，后来他很快进了监狱。生活寂寞之中她和另一个贼好上了，虽然他带给她某些快乐，但二人的关系也因他进了监狱而告终。其后，她连续和一些不光彩的人好上了，除了短暂的欢悦，他们不能给她提供甚么。后来，她儿子失踪了，她才暂时地处理对她最重要的人物。

Ray Jepsen (John Magaro) is a humble co-owner of a hardware store who still can’t believe he managed to marry local beauty queen Stacy-Lynn. When his private investigator friend, Skip (Steve Zahn), reveals to Ray that Stacy-Lynn is having an affair, Ray decides to kill himself. He secures a gun and goes to a seedy motel parking lot to do the deed, but before he can pull the trigger, he is mistaken by a stranger for a low-rent hitman (a sinister Dylan Baker) and given an envelope full of cash and an address. Desperate to win back his self-respect and his wife, Ray decides to take the job — but soon wishes he had just killed himself.