人类的世界惊现原始恐龙，阿莱达星兽基地被恐龙凶兽龙始祖入侵等一桩桩怪事为何发生？答案竟和龙源纪的一道镇守令——龙的密令遗失相关！斗龙战士们将如何对抗这股来路不明的黑暗力量？他们将会面对怎样的重重磨难？人类世界能否回归和平？带着这一系列的疑问，斗龙战士们，开启新的旅程吧！

在第四部的结局中，撒旦魔龙虽被打败，可是阿迪却出现了异常的表现，这到底暗示了什么。第五部将续写斗龙战士们的冒险征程，并解答未知的疑团。介绍：身为斗龙战士的队长，自小就表现出强大的责任心和领导才能，以保护所有伙伴和完成团队战斗任务为己任，拥有阳光般的晴天微笑。介绍：常被其他斗龙战士称为“交际小能手”，一旦团队中出现意见或分歧，他总是想办法为大家解决问题，具有很好的团队奉献精神。战斗武器：斗龙手环\暗象斗龙号角\亡灵暗能量 (后被传奇龙清除)介绍：外表冷傲，不喜欢听从他人的意见，缺乏团队精神。易怒，嘴巴里说不出好话。性子虽然很硬，但是信念是最坚持，偶尔会说出让人有所觉悟的话语。常常擅自离队，独自冒险，但总能逢凶化吉，出色的完成任务。注：东方末在本部恢复本性，但属性依旧为暗属性

Gabriel, a professor of philosophy and logic of night school, which runs through marital problems, and that when he meet a new young student who suddenly disappear after she closer to the prophetic drawings of Benjamin Solari Parravicini, will be immersed in trying to understand the meaning of these drawings, embarking with his cousin Tony, a story of suspense, intrigue and drama.

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。