A guy who is into ska music, finds himself fascinated by Thai traditional music after meeting a great Thai traditional music songwriter and getting involved in a Thai traditional music rivalry.

人生只有一次不能重来，唱进人生的歌亦是如此。《人生一歌》绝版人生金曲竞演秀，唱响不同年代风格的人生经历。

演员生田斗真为何愿意大胆挑战日本传统艺术“歌舞伎”？这部纪实纪录片跟着生田斗真踏进新歌舞伎的世界，同时细细着墨他和演员尾上松也长达 20 年的友情。 　　Netflix 纪录片《歌、舞、伎：生田斗真》 将于6月16日星期四全球首播，Netflix独家。

平陵之战，锦绣女将付一笑（李沁 饰）一箭射落夙砂大皇子凤随歌（陈哲远 饰），凭一己之力扭转战局。可凯旋荣光未散，她竟遭冷箭暗算，坠下悬崖。药泉边，重伤的她与凤随歌意外相遇。付一笑失忆，凤随歌重伤，两只敏锐的野兽斡旋之下，凤随歌侥幸压制住了付一笑，将她带回夙砂。原来他早已疑心夙砂有人通敌，付一笑坠崖，恐是因撞破两国暗通的秘辛。此时，锦绣振南王夏静石（陈鹤一 饰），携和亲使命而来。可他与一笑曾是两心相许的爱人，如今却要另娶凤随歌亲妹戏阳公主（夏梦 饰），自己昔日的白月光却在宿敌凤随歌身边...执棋者，亦为局中棋子，命运枷锁，如何破解？ 　　该剧改编自炽翼千羽的小说《一笑》。

平陵一战锦绣国败军之际，红衣女射手付一笑惊天一箭射中夙砂大皇子凤随歌，随即扭转战局。但付一笑却在平陵一战后不久，意外坠崖，记忆全失。凤随歌也被人追杀疲于奔命，阴差阳错下，二人在正念山庄重逢。看着失忆的付一笑。凤随歌只觉得此事处处透着蹊跷。于是决定将一笑带在身边，以引出操纵一切的幕后黑手。二人也由此踏上了揭露两国间阴谋的旅程。一路携手除渣男、斗权相，寻真相，从互相利用到互生爱意、双向奔赴，甜虐交织，成长励志。

《K歌一下》只要你想唱歌；只要你能唱歌；只要你会唱歌！便可以在这里登上舞台、放飞梦想，乘着歌声的翅膀，走进七彩荧屏！

The Luce Institute Archive celebrated 90 years of existence in 2014. To celebrate, nine of the most promising directors of Italian cinema made short documentary films from the institute’s collection. Alice Rohrwacher is one of them and her work talks about music, memory and war with Una Canzone. 　　This short film is a mid-career work commissioned by Istituto Luce on its 90th anniversary and one segment of the documentary 9x10 novanta. Una Canzone recovers the lost art of singing through an ever-surprising montage of archival footage. Where did you learn the songs you know? Who taught you? These are the questions Rohrwacher posed in her neighbourhood, combining the answers with archival material from Luce Cinecittà.

在《被解救的姜戈》和《八恶人》之后，昆汀·塔伦蒂诺很有可能将继续他的“西部之旅”，重启他的西部小说《Forty Lashes Less One》改编计划，但很可能不是电影，而是将它搬上小荧屏。 据外媒消息，昆汀近日表示很想重启他翻拍埃尔莫尔·伦纳德（Elmore Leonard）畅销西部题材小说《Forty Lashes Less One》的计划，并有意将其拍成迷你剧集。“我每次在考虑我的未来计划时，都会率先想到它。我已经获得了改编权并且一直想改编它，它很可能是我的第三部西部题材的作品，并且我正在考虑将它搬上电视，拍成四或六个小时的迷你剧集。” 其实早在2000开始，昆汀就经常谈及想改编《Forty Lashes Less One》。这个故事发生在一座可以摧毁任何人灵魂的监狱中，是围绕结成联盟的一黑一白两个罪犯发生的暴力故事。

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.