传说中，太阳系的每一颗星星都有一只守护星龙，它们都生活在星龙圣域里。但太阳系的黑洞无处不在，五百年复活一次的妖兽王，它的出现就像巨大的黑洞一样，笼罩了整个星龙圣域，吞噬阳光，吸取所有星龙的星象力量，一心想要统治整个太阳系，它就是——罗刹•暗无。 为了击败罗刹•暗无妖兽王，有一个为培养斗龙战士而存在的古老族派，叫“龙武族”。龙武族分别由六大星门组建，分别是代表火象的星火罗门、代表水象的寒山星门、代表金象的孤斗星门、代表光象的月空星流门、还有代表木象的莫林天门和代表土象的皇沙星门。龙武族的族人非常神秘，一直隐蔽生活在六越山，但从来没有人知道他们是因何存在，因何隐蔽…… 时光如梭，罗刹•暗无又要复活了，龙武族被选中的六位族子聚集在一起，背负起从出身就带有的使命。六大星门长老通过仪式，让六位斗龙战士分别获得了自己同星象的战龙召唤器。然后，斗龙战士为了获取属于自己星象力量的机甲兽龙，纷纷来到了兽唤山，在那里，六位斗龙战士与机甲兽龙有了一场完美的邂逅，并且成功获取了属于自己的机甲兽龙......

会突然出现接二连三的反常现象：人类的世界惊现原始恐龙，阿莱达星兽基地被恐龙凶兽龙始祖入侵等等，这一桩桩怪事为何发生？答案竟和龙源纪的一道镇守令——龙的密令遗失相关！斗龙战士们将如何对抗这股来路不明的黑暗力量？他们将会面对怎样的重重磨难？人类世界能否回归和平？带着这一系列的疑问，斗龙战士们，开启新的旅程吧!

昆仑派七大弟子儆恶惩奸，合称七剑。五龙帮恶徒岳枫勾结玄武寺僧俗图夺昆仑剑谱，惊动七剑。昆仑少侠黄天秀与师妹赵雪娥私往玄武寺打探，险遭围困。掌门凌空见形势危急，派弟子独孤青及柳湘下山联络同门共抗敌。枫乘虚率众到来捣乱，幸空早有准备，让枫抢去假剑谱。青、湘与师兄弟会合，撞破玄武寺僧人禅通杀害婴儿修炼百命童子剑，断其一臂以示惩戒。玄武寺恶徒联同五龙帮向昆仑派寻仇，七剑同心将一众败类打得落花流水。

在斗龙世界，突然出现了龙枪和龙弹，原本平静的斗龙世界因此而变得有趣起来。宝贝龙阿迪、匹匹龙和它们的朋友围绕着神奇的龙枪和龙弹展开了一系列奇幻有趣的故事！从阿里巴巴寻宝开始，到智逗恶龙，再遇到丑小龙、小红帽等一系列有趣的情节，阿迪与匹匹龙这两个老冤家又闹出了不少让人捧腹的笑话。让我们和斗龙宝贝们一起开始一场全新的精彩旅行吧！

昆仑派七大弟子儆恶惩奸，合称七剑。五龙帮恶徒岳枫勾结玄武寺僧俗图夺昆仑剑谱，惊动七剑。昆仑少侠黄天秀与师妹赵雪娥私往玄武寺打探，险遭围困。掌门凌空见形势危急，派弟子独孤青及柳湘下山联络同门共抗敌。枫乘虚率众到来捣乱，幸空早有准备，让枫抢去假剑谱。青、湘与师兄弟会合，撞破玄武寺僧人禅通杀害婴儿修炼百命童子剑，断其一臂以示惩戒。玄武寺恶徒联同五龙帮向昆仑派寻仇，七剑同心将一众败类打得落花流水。

在斗龙世界，突然出现了龙枪和龙弹，原本平静的斗龙世界因此而变得有趣起来。宝贝龙阿迪、匹匹龙和它们的朋友围绕着神奇的龙枪和龙弹展开了一系列奇幻有趣的故事！从阿里巴巴寻宝开始，到智逗恶龙，再遇到丑小龙、小红帽等一系列有趣的情节，阿迪与匹匹龙这两个老冤家又闹出了不少让人捧腹的笑话。让我们和斗龙宝贝们一起开始一场全新的精彩旅行吧！

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.