In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

There was once an invisible optician, trapped in a strange and lonely world. Her story starts with a broken lens and the woman who taught her to see things differently.

There was once an invisible optician, trapped in a strange and lonely world. Her story starts with a broken lens and the woman who taught her to see things differently.

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森林的中央，身材姣好的小红帽款款而来，她看见被人吊起来的大坏狼，似乎并未做过多的迟疑，便砍断了绑在树干上的绳子。大坏狼应声而落，小红帽则转身离开。夜幕降临，巨大的月亮升起，昏迷许久的大坏狼慢慢苏醒过来。它看到小红帽留下来的篮子，里面有美味的烧鸡还有她写的字条，告诫大坏狼不要在做坏事了。在此之后，大坏狼周游在小红帽的周围，从远处窥视着这个小女孩。当然小红帽为此遭到了爷爷奶奶的指责，称对待坏狼绝对不能手软。小红帽独自承受这一切，而一直观望的大坏狼似乎渐渐喜欢上了善良的小女孩。 　　它终于迎来了报恩的时刻……

森林的中央，身材姣好的小红帽款款而来，她看见被人吊起来的大坏狼，似乎并未做过多的迟疑，便砍断了绑在树干上的绳子。大坏狼应声而落，小红帽则转身离开。夜幕降临，巨大的月亮升起，昏迷许久的大坏狼慢慢苏醒过来。它看到小红帽留下来的篮子，里面有美味的烧鸡还有她写的字条，告诫大坏狼不要在做坏事了。在此之后，大坏狼周游在小红帽的周围，从远处窥视着这个小女孩。当然小红帽为此遭到了爷爷奶奶的指责，称对待坏狼绝对不能手软。小红帽独自承受这一切，而一直观望的大坏狼似乎渐渐喜欢上了善良的小女孩。 　　它终于迎来了报恩的时刻……