Songhua depicts the intimate and complex relationship between Harbin residents and their "mother river," the Songhua in northeastern China. By attending to the everyday activities of leisure and labor unfolding along the banks and promenade, this nonfiction video also explores the interface between aesthetics and ethnography as it addresses environmental crisis within a major waterway of China. 　　Film Festivals, Screenings, Awards 　　Shadow Festival, Amsterdam, The Netherlands, 2007 　　Jury's Pick Award, Negotiated View Film Festival, Happy Valley, Pennsylvania, 2007 　　SIGGRAPH, San Diego, California, 2007 　　Vienna International Film Festival, Vienna, Austria, 2008 　　Jury's Pick Award, PLATFORMA Festival, Athens, Greece, 2008 　　Babel Film Series, Nanning, China, 2008 　　Jury's Pick Award, Eyes & Lenses Ethnographic Film Festival, Warsaw, Poland, 2008 　　PDX Film Festival, Portland, Oregon, 2009 　　Contro-Sguardi: International Anthropological Film Festival, Perugia, Italy, 2010

Songhua depicts the intimate and complex relationship between Harbin residents and their "mother river," the Songhua in northeastern China. By attending to the everyday activities of leisure and labor unfolding along the banks and promenade, this nonfiction video also explores the interface between aesthetics and ethnography as it addresses environmental crisis within a major waterway of China. 　　Film Festivals, Screenings, Awards 　　Shadow Festival, Amsterdam, The Netherlands, 2007 　　Jury's Pick Award, Negotiated View Film Festival, Happy Valley, Pennsylvania, 2007 　　SIGGRAPH, San Diego, California, 2007 　　Vienna International Film Festival, Vienna, Austria, 2008 　　Jury's Pick Award, PLATFORMA Festival, Athens, Greece, 2008 　　Babel Film Series, Nanning, China, 2008 　　Jury's Pick Award, Eyes & Lenses Ethnographic Film Festival, Warsaw, Poland, 2008 　　PDX Film Festival, Portland, Oregon, 2009 　　Contro-Sguardi: International Anthropological Film Festival, Perugia, Italy, 2010

纪录片《松花江》对松花江流域的地理历史、人文水文、生态环境保护等内容进行深入挖掘和记录，通过对松花江两岸的人们和江水相互依存、和谐共生的鲜活故事，呈现出新时代东北人勇于创造、拼搏进取、力争上游的时代风貌。

[花木兰]导演托尼·班克罗夫特将执导新动画片[松花江](Songhua，暂译)。影片根据中国民间传说改编，故事背景设置在古代中国的神秘冰雪世界，讲述一个公主与一个落魄英雄在神灵的协助下拯救故国。新片拍摄成本约3500万美元。

纪录片《松花江》对松花江流域的地理历史、人文水文、生态环境保护等内容进行深入挖掘和记录，通过对松花江两岸的人们和江水相互依存、和谐共生的鲜活故事，呈现出新时代东北人勇于创造、拼搏进取、力争上游的时代风貌。

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

1945年的秋天，立信在河边写生，意外从日本兵手中救下姚玉琴。姚玉琴慌乱逃跑，丢失了自己的荷包，无处可去的她只能投靠自己女高的同学那珍珠。

1945年的秋天，立信在河边写生，意外从日本兵手中救下姚玉琴。姚玉琴慌乱逃跑，丢失了自己的荷包，无处可去的她只能投靠自己女高的同学那珍珠。

东北松花江畔，一青年与一车店店家的孙女相爱。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被日本人杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见好色的日寇伍长正欲污辱车店孙女，打死日寇伍长。带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。 　　影片获得舆论界很高的评价。影片的导演处理很有特色，运用形象化的蒙太奇语言，镜头含蓄、简约、有力，许多场面真实、有气势，激动人心。音响效果的运用，使声画相辅相成，组成统一的艺术形象。如影片开始的迎车队、送车队的场面，将东北农村生活和风土人情展现出来，别有风味。片中的插曲也是中国电影在插曲运用上的成功范例之一。在妞儿唱的《四季歌》声中，通过多场景、多变化的蒙太奇处理，将当时情景和人们情绪充分表现出来，达到抒情写意和展现环境相结合的效果。

东北松花江畔，一青年与一车店店家的孙女相爱。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见好色的日寇伍长正欲污辱车店孙女，打死日寇伍长。带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。