该剧改编自三九音域的小说《我在精神病院学斩神》，讲述了一群拥有异能的人类，在都市之中守卫大夏子民，免受迷雾神国侵袭的故事。

该剧改编自三九音域的小说《我在精神病院学斩神》，讲述了一群拥有异能的人类，在都市之中守卫大夏子民，免受迷雾神国侵袭的故事。

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

动画改编自番茄小说殿堂作家三九音域的原著《我在精神病院学斩神》，讲述迷雾降临，神明复苏，林七夜从一个失明的普通高中生，阴差阳错的成为保护国家不受“神秘”侵犯的守夜人，他带领队友，不断清剿出现在现代社会的神话生物，最终踏上斩神之路，一步步从“守小家”成长到“守国家”的故事。

沧南危机解决后，林七夜完成津南山为期一年的守夜人集训考核，成为了正式的守夜人后，重回136小队，与伙伴再度开启一场与古神教会的崭新较量……新的西方邪神亮相，人类天花板齐聚沧南，一场巨大的灾难风暴正悄然酝酿成型。

沧南危机解决后，林七夜完成津南山为期一年的守夜人集训考核，成为了正式的守夜人后，重回136小队，与伙伴再度开启一场与古神教会的崭新较量……新的西方邪神亮相，人类天花板齐聚沧南，一场巨大的灾难风暴正悄然酝酿成型。