婆婆不打招呼带一群亲戚突袭上门，颐指气使命令顾晓棠下厨伺候，还拿老旧规矩对她道德绑架。顾晓棠当场硬刚反击，当众撕开自己产后被婆家百般苛待的旧账。面对只会和稀泥的丈夫，她死守个人边界，态度坚决，明确表示绝不做婆家召之即来的免费保姆。

本作の主人公は無職になってから不眠症に悩まされている25歳の青年・平岡修二。彼は謝礼の10万円を目当てに、失踪した20代の女性・小川翠を探し、あてもなくさまよっていた。やがて修二は少しずつ翠に意識を占領され、彼女の凄絶で悲劇的な過去を知る。

这部动画短片的主题是以黑白绘画形式，以画中中“绳”的意象表现作为情节展开的视觉导向，将一个体积较小者（弱者）和一个体积较大者，练习在一个方框式的空间中。创作者围绕两者体积的大小之争，控制与被控制之争，用极其单一的色彩和极其简单的视觉元素，揭示了事物发展的辩证关系，大与小、强与弱、主动与被动，一切事物都是可以互相转化的，体现了一种存在关系的哲学思考。

A short film by Lorenzo Caproni produced by Centro Sperimentale di Cinematografia Production. 'The Den is a parable about the game of roles in a world where men have to be men' (Lorenzo Caproni)

The ancient Japanese bondage tradition of shibari — the fascinating art of binding women’s bodies with rope — is changing with the times, with women now getting entangled at both ends of the rope. Bound is a provocative documentary examination of a forbidden practice that upsets order and morality in art, eroticism and psychoanalysis. The members of a new women-only community, made up of subs, doms and out-there artists, explain the practice and reveal a very different world where domination creates a space for free communication among women who, for one reason or another, feel stifled.

The ancient Japanese bondage tradition of shibari — the fascinating art of binding women’s bodies with rope — is changing with the times, with women now getting entangled at both ends of the rope. Bound is a provocative documentary examination of a forbidden practice that upsets order and morality in art, eroticism and psychoanalysis. The members of a new women-only community, made up of subs, doms and out-there artists, explain the practice and reveal a very different world where domination creates a space for free communication among women who, for one reason or another, feel stifled.

古老的日本绳缚传统——shibari，这一用绳索捆绑女性身体的迷人艺术正与时俱进，如今女性在绳索的两端都有参与。《Bound》是一部颇具争议的纪录片，它审视了一种违背艺术、情色和精神分析领域秩序与道德的禁忌行为。一个全新的女性专属社群的成员们……

"Sexual witchcraft involving two couples and a 'medium' cat." -S.B.

A short film about the “hand” that connect our world and the other side, under the background of “Matsuage” in Kyoto.