“Peter Hutton is a still photographer that puts pictures into motion or it might be more apt to say that Peter Hutton is a motion picture maker that makes them still. His films are images, presented like slides, no inherent story, no specific connection other than local proximity. His camera remains locked down, his gaze intensely fixated on a particular setting as he allows time to unwind before the lens. The moments he captures are ones of small change, but profound beauty. 　　Skagafjördur is Hutton’s latest work. Filmed in black and white and color, this thirty-three silent film captures the panoramic splendor of Iceland’s desolate landscapes. Hutton’s camera records atmospheric changes – mist, wind, the breaking of light through clouds, the simple things that have helped define and shape the land. With a playful sense of scale he shows a houses in the shadow of an impossibly huge mountain. He shows the land lost in a sea of shimmering water. Most images are devoid of humans, a strong contrast to Hutton’s earlier work in New York city. Iceland sits alone nearly untouched by human hands. Small instances of human interaction – a telephone pole here, a lamppost there, and the curious presence of a photographer disturbs the disquieting beauty and meditative quality of the film and the land it documents. 　　If film is to survive the next century, if all is not lost to digital image making, it will be due to artists such as Peter Hutton. This is not to say that Hutton’s work could not be adapted to the ever improving field of digital cinema, but it is in his form and his aesthetic that I can see a defense for film’s existence. The early portion of Skagafjördur – the part shot in black and white – possesses a look that can only be found in works shot on film. It has a timeless appearance, full of depth, texture, contrast and grain. It’s the look of history. When he gets to the color portion of his film Hutton loses the wonder of the timeless image. The blue skies overshadow the earthtoned landscapes. These are images as fresh as yesterday. Instances of brilliance abound in the latter half of the film, but it becomes harder to argue that Hutton’s work must be made with film. 　　In 2004 Peter Hutton is a still photographer/filmmaker still making films. For himself and a few others working well outside the mainstream of narrative filmaking a forgiveness can be granted. Hutton’s work lends itself to the hypnotic mechanisms of a film projector. It’s no wonder so many young students nodded off during the screening. Lulled or bored to sleep by each passing frame or the dull sounds of the projector, clicking away at the back of the room, Hutton’s work demanded too much attention from an audience who equates cinema with television, not painting, or drawing, or ballet, or anything else you might see in hushed environment and not a smoky bar. Hutton’s latest film is not only important because of what he is documenting, but because he is utilizing film in the same way an artist might use paints or charcoals to capture reality – that is to say outdated. Perhaps film will go the way of portrait painting, a practice long since abandoned as a way of documenting the image of a person. Perhaps it will be resigned to special theaters, college classrooms, and art museums – is that so bad? As we have stopped picking up a paintbrush to recreate reality and as we have grown to see photographs in black and white as being more “artistic”, we may find that it is no longer necessary to shoot all our movies on film. We may soon reach a point where we can leave film in the hands of the artists, and not the entertainers.”

NEON在坎城市場展買下了《仇恨謎林》羅馬尼亞導演Cristian Mungiu的首部英語新片《Fjord》於美、加、英、澳、紐的發行權，本片由羅馬尼亞出生的Sebastian Stan和《世界上最爛的人》Renate Reinsve主演，兩人是既《A Different Man》後再度攜手共演。 　　劇情講述Gheorghiu一家，包括羅馬尼亞父親和挪威母親，搬遷到一處偏遠挪威小村莊，他們跟鄰居Halbergs一家變得親近。當Gheorghiu一家被指控做了令人不安的行為時，他們的生活陷入混亂，並成為小鎮觀察監視的對象。 　　本片為挪威、瑞典、丹麥、芬蘭、法國、羅馬尼亞多國聯合製作，由Goodfellas擔任全球銷售，已於挪威殺青。

NEON在坎城市場展買下了《仇恨謎林》羅馬尼亞導演Cristian Mungiu的首部英語新片《Fjord》於美、加、英、澳、紐的發行權，本片由羅馬尼亞出生的Sebastian Stan和《世界上最爛的人》Renate Reinsve主演，兩人是既《A Different Man》後再度攜手共演。 　　劇情講述Gheorghiu一家，包括羅馬尼亞父親和挪威母親，搬遷到一處偏遠挪威小村莊，他們跟鄰居Halbergs一家變得親近。當Gheorghiu一家被指控做了令人不安的行為時，他們的生活陷入混亂，並成為小鎮觀察監視的對象。 　　本片為挪威、瑞典、丹麥、芬蘭、法國、羅馬尼亞多國聯合製作，由Goodfellas擔任全球銷售，已於挪威殺青。

一群开着红色大巴车的法国人来到挪威峡湾的上空进行各种高空表演，并最终通过精密计算和多方尝试，成功将“人肉弹弓”发射成功。影片中的人来自各行各业，但都对不同形式的“飞翔”有着迷之热爱。岩壁芭蕾，高空跳伞，悬崖跷跷板，到终极大招，人肉弹弓，给观众带来一场脑洞大开的高空运动视觉大片。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。