第十二屆北京獨立影像展［優秀紀錄片獎］遊走於捷克攝影家寇德卡作品中的個人化視角，和俄國肖斯塔科維奇的音樂及中國的城市聲音相融合，靜止的影像電影化，在此地當下的現實時空中復活。是一次紀錄片向其它藝術形式延展的有效嘗試。

第十二屆北京獨立影像展［優秀紀錄片獎］遊走於捷克攝影家寇德卡作品中的個人化視角，和俄國肖斯塔科維奇的音樂及中國的城市聲音相融合，靜止的影像電影化，在此地當下的現實時空中復活。是一次紀錄片向其它藝術形式延展的有效嘗試。

影片通过刻画以朗建民为代表的护林员们保护生态、保护东北虎的事迹，反映近十年来我国对生态文明建设的重视,对自然生态和野生动物的保护，东北虎种群数量不断增加，曾濒临灭绝的王者陆续“归来”，人与万物和谐共生。

影片通过刻画以朗建民为代表的护林员们保护生态、保护东北虎的事迹，反映近十年来我国对生态文明建设的重视,对自然生态和野生动物的保护，东北虎种群数量不断增加，曾濒临灭绝的王者陆续“归来”，人与万物和谐共生。

Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his "ship" from land authorities...

Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his "ship" from land authorities...

2009年，年轻女孩纱崎咲良（芳根京子 饰）被人残忍杀害，该事件令她的姐姐玲奈（北川景子 饰）痛不欲生。在遇害之前，咲良为躲避跟踪狂的骚扰曾秘密搬到亲戚家居住，可是某个不良侦探受跟踪狂之托查到了女孩的现居地，由此引发了血腥惨案。为了揪出这个被称为“死神”的侦探，玲奈拜入 须磨康臣（井浦新 饰）的门下请求接受侦探培训，出于某种目的，须磨不仅最终答应了玲奈的请求，之后更专门为她成立了一个“反侦探课”。在追查某起案件时玲奈对上了阴冷的知名侦探阿比留（中山裕介 饰），他似乎正是妹妹遇害一案的重要关系者。而被须磨分配到反侦探课的新社员峰森琴叶（川口春奈 饰）又与玲奈有着千丝万缕的关系…… 　　本片根据松冈圭佑的同名原作改编。

纱崎玲奈（北川景子饰）是在调查公司调查缺德侦探业者的“反侦探科”工作的调查员。玲奈最疼爱的妹妹遭跟踪狂杀害，为了找出给跟踪狂提供情报的缺德侦探…

Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another. In each location - soon to become a new "Koudelka photo" - a new scene unfolds, gradually introducing us to Koudelka's method of working and his perception of the world he is documenting as well as the people he encounters. A fascinating dialogue emerges between Baram's cinematography and Koudelka's still photographs...

Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another. In each location - soon to become a new "Koudelka photo" - a new scene unfolds, gradually introducing us to Koudelka's method of working and his perception of the world he is documenting as well as the people he encounters. A fascinating dialogue emerges between Baram's cinematography and Koudelka's still photographs...