因《九月的某一天》获得奥斯卡最佳纪录长片的凯文·麦克唐纳，将与制片人西蒙·秦联合执导描绘惠特尼·休斯顿生平的纪录片。导演表示想通过纪录片把休斯顿生前经历完整展现，望观众走出影院时，想起休斯顿及她音乐上积极的东西，而不是过度关注她生前的负面事件，忘却其成就。

电影讲述了刚参加工作的心理医生玛丽，希望治愈患有严重心理疾病的杀人犯马克，却引发马克继续杀人，玛丽最终意识到自己的错误，及时觉醒并解救了即将被马克杀死的亚力山德拉。玛丽遇到的第一个病人就是马克，目睹了主治医生亚力山德拉对待马克的态度后，在强烈的同情心和职业道德的驱使下，玛丽决定用自己的方式拯救马克。但她的行为违反了院方规定，被发现后，医院决定开除她，救人心切的玛丽在情急之下，私自释放了马克，并和他一起逃至小旅馆，此时她才渐渐发现，马克已病入膏肓，她根本无法控制他，在杀害了旅馆前台小姐后，马克又将黑手伸向了亚力山德拉……

在纽约城的一间顶楼公寓里，贾德和玛丽亚这两个截然不同的女人相遇了，一个是时髦的职业女性兼模特，另一个是聪慧、随性的单身母亲，她们是属于不同世界的人，唯一的共同点就是她们的前夫是同一个人：尼克。作为分手费，尼克按照协议把一处曼哈顿豪华顶层公寓分给了她们两个人。 　　所以她们要合住在这处公寓，一开始两人只是拌拌嘴，可后来“战争”升级了。但随着时间逝去，她们二人的关系变得亲近，更意识到尽管她们很不同，也还是有很多共同之处......

既酗酒又好色的尼克打算参加他弟弟科迪家的圣诞夜聚会，尼克会毁了这个聚会还是会和弟弟一家度过一个温暖的圣诞夜呢……

没有多少人知道每家每户都有芬兰妖精居住。它们是一群毛茸茸的生物，出现在人类世界中是为了照顾房子和保持炉火。芬尼克是一个年轻的芬兰妖精，他似乎不在乎自己的责任，把房子变成一个家。他喜欢在家里搞恶作剧，这就是为什么没有一个家庭愿意在他的房子里待很长时间的原因。当一个新的家庭来到他的家时，一切都变了，芬尼克的恶作剧根本不起作用，他遇到了13岁的克里斯蒂娜，令人费解的事情开始在城里发生。芬尼克和克莉丝汀是如此不同，他们将不得不合作，共同解开事件的谜团，拯救这座城市。

一位畫家受潘洛斯科技公司邀請，參與一項將作品具像化的實驗。不料，過程中卻出了巨大差錯，在畫筆勾勒下，這作品居然成為了怪物流竄於巷弄間。頓時間，民眾驚慌失措卻見科學家欣喜若狂，儘管四位特工力挽狂瀾，仍難抵威力，只能看著怪物持續肆虐城市。絕望中，畫家拾起畫筆，準備孤注一擲……

Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney... 　　This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's. 　　All of this and one of the funniest films, then or now. 　　Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong. 　　And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time. 　　* Robert Downey Sr. redubbed all of Arnold Johnson's lines.

Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney... 　　This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's. 　　All of this and one of the funniest films, then or now. 　　Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong. 　　And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time. 　　* Robert Downey Sr. redubbed all of Arnold Johnson's lines.

因《九月的某一天》获得奥斯卡最佳纪录长片的凯文·麦克唐纳，将与制片人西蒙·秦联合执导描绘惠特尼·休斯顿生平的纪录片。导演表示想通过纪录片把休斯…

In his long-anticipated comedy special, center-left comedian Nick Mullen covers topics ranging from COVID to slavery, in a way only Mullen can. Hosted by special guest Adam Friedland.