一个在阿富汗生活了七年的前苏军战俘伊万诺夫终于回到了俄罗斯的乡下老家。乡亲们发现他已经成了一个虔诚的穆斯林，于是冲突产生了……

Mark Halliday takes his wife to an art gallery, to show her a painting he has purchased for their first anniversary. But instead of the painting he had seen, he is given a portrait of his first wife Jocelyn, who disappeared five years ago. Both he and his new wife are shocked and upset, so Halliday shows the portrait to Jocelyn's brother, who locates the artist for him. When Halliday goes in search of the artist, he encounters further coincidences and confusing developments, suggesting that Jocelyn is living very close by.

伊斯兰教和基督教一直是不共戴天的死敌，1400多年以来纷争不断，直到世界末日时主神为他们决断出最终的胜利者才会平息。从十字军战争到现如今的“反恐战争”，所谓“不同文明的碰撞”，正可以做基督徒和穆斯林之间的关系的注解。 　　但是这里要讲述的是另一个故事。它围绕一个人展开。10亿穆斯林和12亿基督徒都称他为先知救世主，但是两方却对他有着不同的理解。他就是——耶稣。

德瓦拉是一位来自沿海地区的无所畏惧的男子，为了保护人民的生命，踏上了危险的旅程，进入危险的海洋世界。他不知道的是，他的兄弟贝拉正在密谋反对他。随着事态的发展，德瓦拉将他的遗产传给了他温文尔雅、胆怯的儿子瓦拉达。

德瓦拉是一位来自沿海地区的无所畏惧的男子，为了保护人民的生命，踏上了危险的旅程，进入危险的海洋世界。他不知道的是，他的兄弟贝拉正在密谋反对他。随着事态的发展，德瓦拉将他的遗产传给了他温文尔雅、胆怯的儿子瓦拉达。

影片讲述的是一个遗憾的爱情故事。已为人妻的张成凤带着弟弟张成龙陪母亲李翠花回老家替在外病逝的父亲举办葬礼，看到昔日的初恋情人德皮，就此展开的一段关于梦想和爱情的回忆。

Young Seide lives in a secluded mountain village in the heart of Kyrgyzstan. She loves her freedom to ride her horse, the closest soul she has, and enjoys playing with the village boys. When she is faced with the prospect of an arranged marriage, her family decides to honor the tradition and kill Seide's horse for the wedding celebration. Upset and feeling voiceless, Seide tries to understand her family's decision but cannot let her horse be killed. Unfortunately, the horse, like herself, has nowhere to go

为了赢得一家肥皂公司奖金20亿美元的竞赛，居住在西苏门答腊岛马宁焦湖畔的村民们制定了一个宏伟的计划。比赛的获胜者、村里的老人Angku Wan在领奖前不幸去世。尼塔、达阿姆、斯玛等村民通过各种方式试图让肥皂公司相信安库万还活着。他们的意图不是出于贪婪，而是出于贪婪。他们希望将这笔奖金用于崇高的目的，例如根据 Angku Wan 的最后信息，为公共福利建设村庄。然而，村民们提出的方案却遭到了支持和反对的声音。当肥皂公司代表安瓦尔突然来到村里确认获胜者时，情况变得更加复杂。

讲述的是拿着粉丝俱乐部公款寻找消失的母亲的女儿知道了一辈子都不知道的妈妈真实身份的故事。

Climaxing the film makers first period of work, QUIXOTE is a kind of summary and conclusion of a number of themes, etc., especially that of the hero... depicting Western orientation as essentially one of conquest. The film is conceived in a number of different styles and on a number of simultaneous levels. In four parts, one reel. 　　"More relevant than ever, Bruce Baillie's 'American Symphony' ... released in 1990 via an S-VHS master." – Frankfurter Zettung 　　"American as conquistador ...." – P. Adams Sitney 　　"– quixotic filmmaker become the hero of his own film." – S. Frey 　　One-year journey through the land of incessant progress, researching those sources which have given rise twenty years later to the essential question of survival.