一方是在米兰出生和长大的美丽的西班牙人Bella，一方是在丘库罗瓦传统大家族中长大的Hazar Ağa。尽管他们来自两个不同的世界，但他们深爱着对方，携手步入婚姻的殿堂，一起回到Hazar的家乡丘库罗瓦。但前方等着他们的是一连串啼笑皆非的考验，他们的爱是否能克服所有的挫折呢？

纳斯塔娅随未婚夫伊万返回他的故乡，准备拜访亲友并随后举办两人的婚礼。但入住之后，纳斯塔娅渐渐感受到周遭的诡异，挂满恐怖照片的房间、行为反常的亲友、不寒而栗的异象以及随后失踪的伊万...

老齐、汪强、占全、小曾四人，都在本县长大，是几十年的好朋友。老齐的老婆去年死了，如今独自经营着一个茶馆，生意清淡。他们有一个异想天开的发财梦：想找个女人结婚，再给新娘买保险，接着制造“意外”，以获得保险赔偿。他们准备共同来“投资”交投保费，在事后分享一大笔的赔偿金。单身的老齐被大家一致推选为新郎的人选。然而，事情的发展逐渐让所有人陷入困境……

老齐、汪强、占全、小曾四人，都在本县长大，是几十年的好朋友。老齐的老婆去年死了，如今独自经营着一个茶馆，生意清淡。他们有一个异想天开的发财梦：想找个女人结婚，再给新娘买保险，接着制造“意外”，以获得保险赔偿。他们准备共同来“投资”交投保费，在事后分享一大笔的赔偿金。单身的老齐被大家一致推选为新郎的人选。然而，事情的发展逐渐让所有人陷入困境……

维迪亚出生在一个贫苦的家庭之中，虽然生活非常的拮据，但是维迪亚拥有家人对她无私的爱护。然而，维迪亚一家人的命运仍然非常的不幸，父亲去世之后，强势的叔叔和婶婶霸占了维迪亚家的房子，而维迪亚和她善良的母亲则沦为了家中的佣人。当地的名门望族塔克家族正在给他们的继承人赛格寻找新娘，最终，他们相中了维迪亚，虽然维迪亚的叔叔和婶婶对于这门亲事百般的阻挠，但是最终维迪亚还是和赛格步入了婚礼的殿堂。 　　在新婚之夜上，维迪亚第一次见到赛格，让她无比震惊的是，赛格竟然是一个疯子。过门没多久，疼爱维迪亚的公公也去世了，临死之前，他将所有的财产都留给了维迪亚。

维迪亚出生在一个贫苦的家庭之中，虽然生活非常的拮据，但是维迪亚拥有家人对她无私的爱护。然而，维迪亚一家人的命运仍然非常的不幸，父亲去世之后，强势的叔叔和婶婶霸占了维迪亚家的房子，而维迪亚和她善良的母亲则沦为了家中的佣人。当地的名门望族塔克家族正在给他们的继承人赛格寻找新娘，最终，他们相中了维迪亚，虽然维迪亚的叔叔和婶婶对于这门亲事百般的阻挠，但是最终维迪亚还是和赛格步入了婚礼的殿堂。 　　在新婚之夜上，维迪亚第一次见到赛格，让她无比震惊的是，赛格竟然是一个疯子。过门没多久，疼爱维迪亚的公公也去世了，临死之前，他将所有的财产都留给了维迪亚。

1922年夏，土耳其萨莫斯雷斯岛，经过几年的漫游亚洲，美国摄影师诺曼·哈里斯陷入了绝望，对自己产生深深的质疑。因为他工作的美国报纸已经拒绝了所有他从战场上拍出的摄影作品，认为其艺术性太强，并不适合发表。于是，哈利斯决定放弃自己所喜欢的摄影记者职业，重返美国重新谋求生路。与此同时在贫穷的萨莫斯雷斯岛，尼基正在为她的芝加哥之旅准备行李，她必须嫁给普罗多莫尼斯，她姐姐曾经嫁过的男人，一个陌生城市里她从来没见过的裁缝。 　　她的姐姐由于不能忍受陌生环境带着病体回到了希腊，尼基则成了姐姐的替代者。诺曼与尼基乘坐了同一条船，诺曼在头等舱，而尼基在三等舱。同船的还有另外700名来自希腊、土耳其、俄罗斯、亚美尼亚等每个角落的“邮购新娘”。在她们的行李箱里，都装着一张男人的照片，尽管素未谋面，但这个男人却将成为她们的丈夫。她们中的有些人是通过移民公司，还有一些是通过孤儿院或其他教会机构移民来寻找做邮寄新娘的机会——同样也是新生活的机会。

1922年夏，土耳其萨莫斯雷斯岛，经过几年的漫游亚洲，美国摄影师诺曼·哈里斯陷入了绝望，对自己产生深深的质疑。因为他工作的美国报纸已经拒绝了所有他从战场上拍出的摄影作品，认为其艺术性太强，并不适合发表。于是，哈利斯决定放弃自己所喜欢的摄影记者职业，重返美国重新谋求生路。与此同时在贫穷的萨莫斯雷斯岛，尼基正在为她的芝加哥之旅准备行李，她必须嫁给普罗多莫尼斯，她姐姐曾经嫁过的男人，一个陌生城市里她从来没见过的裁缝。 　　她的姐姐由于不能忍受陌生环境带着病体回到了希腊，尼基则成了姐姐的替代者。诺曼与尼基乘坐了同一条船，诺曼在头等舱，而尼基在三等舱。同船的还有另外700名来自希腊、土耳其、俄罗斯、亚美尼亚等每个角落的“邮购新娘”。在她们的行李箱里，都装着一张男人的照片，尽管素未谋面，但这个男人却将成为她们的丈夫。她们中的有些人是通过移民公司，还有一些是通过孤儿院或其他教会机构移民来寻找做邮寄新娘的机会——同样也是新生活的机会。

Three years after the Rwandan genocide, Eva is kidnapped by a stranger and raped. Her aunts agree to a forced marriage to the perpetrator. When Eva finds a confidant in the form of the man’s cousin, she discovers the Tutsi family’s traumatic past. 　　源自：https://www.berlinale.de/en/2023/programme/202305569.html

A young woman moves with her husband and small child to her husband's family in Istanbul. Her son becomes ill and the doctor tells her that he will soon die if he doesn't get an operation. The family refuses to help her because they can't see anything wrong with the boy and all money is needed for a new shop they have just opened. When her son dies she takes a desperate step. 　　Omar Lutfi Akad's film depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul. Omer Lutfi Akad's film Bride (Gelin/1973/Turkey) take pictures of woman immigrated to urban area in years in which Turkey faced with important social changes. Thus, the film is important representation of social changes in modernization processes of the country and difficulties that women faced with. 　　In 1970s, since there was migration from Turkey to other countries and migration within Turkey from rural to urban, migration has been an important theme in Turkish cinema. Lutfi Akad's film “Gelin” which is selected for the present study is among these types of films. 　　Meryem migrates to Istanbul with her husband Veli and their son Osman. They started to live with Veli's family in a neighbourhood of Istanbul. Meryem's father in law Haci Ilyas is a patriarchal family head who tries to protect feudal structure of the family. Haci Ilyas invests the family's all money to a little grocery in the neighbourhood. The neighbourhood they live in is full of immigrated people from the different regions of country. 　　All family members start to work for the grocery. Grocery runs well in a short time. At that point Haci Ilyas takes an important decision to open a bigger market in a better and richer neighbourhood and borrows a great amount of money. This enterprise needs to a great effort of all family members who live in an environment full of ignorance, stubbornness and religious superstitions. 　　Meryem's son Osman gets sick. Haci Ilyas tries to cure the child with praying. But Meryem takes the child to a doctor with the help of a friend of her who works in a factory. She hides this event from the family. She learns at the hospital that Osman had a dangerous illness with his heart and he needed an operation. But Haci Ilyas needs money for the new market. Veli's brother's wife gives her jewels to spend for the market. Meryem does not want to give her jewels since she wants to sell them and use the money for Osman's operation. She tells that she had taken Osman to hospital and learned that he has a serious illness. Family members do not consider Osman's illness important and take Meryem's jewels.