这是一个刻奇宣言，宣扬陈词滥调、流行文化、性欲与迷恋。刻奇已经成为现代性与消费主义的典型产品，同时也是逃避现实的一种方式。《新刻奇》探讨了性欲与虚伪性以及社交媒体、新闻和时尚界所提倡的对完美身体的追求。它在探究身体、性别刻板印象和男、女气质方面的主题。如今，男性气质的形象正在发生变化，新的男性气质形象正在形成。《新刻奇》融合了西欧和东欧美学，以此撼动文化标准。

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

暂无剧情简介

笑看明星闯关，趣学职场法则。优势星球创始人崔璀，结合《新游记》综艺看点，以轻松诙谐的方式输出信息量十足的职场干货，综艺不白看，笑完还能在职场往上蹿。

笑看明星闯关，趣学职场法则。优势星球创始人崔璀，结合《新游记》综艺看点，以轻松诙谐的方式输出信息量十足的职场干货，综艺不白看，笑完还能在职场往上蹿。

『おしゃれイズム』は、日本テレビ系列で毎週日曜日22:00 - 22:30（JST）に放送されているトーク番組である。1971年に放送を開始した『資生堂・サンデーヒットパレード』から40年以上続く、化粧品会社・資生堂の一社提供番組であり、1974年から放送開始された「おしゃれ」から続くおしゃれシリーズ第4弾。

『おしゃれイズム』は、日本テレビ系列で毎週日曜日22:00 - 22:30（JST）に放送されているトーク番組である。1971年に放送を開始した『資生堂・サンデーヒットパレード』から40年以上続く、化粧品会社・資生堂の一社提供番組であり、1974年から放送開始された「おしゃれ」から続くおしゃれシリーズ第4弾。