A photographic image in its production: exposure, development and reproduction. As the subject of its recording the faces of two people. The experimental short film "IMAGE ME" equates the face with the photographic image, exposing the merge with our depiction and a mechanics of rotation around our own axis.

Madame Tussauds will disagree, but some folks believe that having a wax figure made out of yourself before you die is bad luck, a notion that is explored in Hong Hoon (ห้องหุ่น, a.k.a. Crack My Skin). 　　The thriller originated as a radio drama by Somsuk Kaljaruek, and was remade for TV a few times. Now it's a movie by Kantana Motion Pictures, a newly launched production shingle of the Kaljareuk clan's Kantana Group, an entertainment company better known for its soap operas and post-production work on most of the movies released in Thailand and around the region. 　　The director is Kulp Kaljareuk, grandson of the radio play's writer and son of Kantana Group honcho Jaruek Kaljaruek. He's making his feature directorial debut. 　　Ananda Everingham stars as a guy investigating the death of his sister, which had something to with wax figures. He teams up with a woman named Ploy (Rattanarat Aurthaveekul), whose father's death also involved wax figures. 　　The two stars promoted the film at the recent Thailand Comic-Con and also got naked for a photo shoot that went viral on the Internet. Rated 15+

作者回到自己的故乡，参与到族群生活中，通过诗学和政治学行动，努力营构一座庸常小村落的历史神话谱系，并试图令其历史地生发电影。 　　作者以族民和书写者的双重身份，对仅仅11户村民、20余人组成的"细毛家"进行了考古学式的观察，发掘它的内在讯息，写作了细毛家的历史和神话；同时，作者创作了几类物件并将其置入族群中，考察物件在族群生存语境中释放出的特殊意味及与之对应的独特宇宙观。 　　《神衍像》与历史文本《九歌》在写作格式上对称，可视为对细毛家的一次严格的历史形制上的确立，如同墓穴形制。细毛家的族民终将死去，但愿遗留下来的不止于尸骨，还有属于细毛家的名为《神衍像》的自我英雄主义的电影。

Some puppets come to life in a theater with no windows. This time the puppets interpret William Shakespeare's Othello.

这是一档纯粹的黑白影像访谈，对话那些忠于热爱、有所收获的人，用黑白聚焦内容本身，让影像纯粹起来。

朝露大婚当日被大魔头凛芳尊灭满门，为救回所有人朝露穿越回三百年前想提前杀掉大魔头改变悲剧发生。刚入异世不小心闯入禁地救下被囚禁的少尊暮霆，为报恩暮霆帮朝露一起寻找凛芳尊，后来才发现凛芳尊就是暮霆……

顾尘幼年遭遇袭击，父母为护他而死，自此性格孤僻。成年后，他离开家族成为救灾队员，与傅氏总裁傅雅宁结婚。傅雅宁信佛，生活禁欲，婚姻冷淡。一次救援中，顾尘发现她与收养的孩子冬冬关系亲密，且与生父林于皓举止暧昧。面对质问，傅雅宁态度冷漠，顾尘心碎妥协，但日渐绝望，最终留下离婚信离开。傅雅宁悔悟追悔，却得知顾尘决定回归顾家。顾家二叔欲除之而后快，设局杀他。危急时刻，傅雅宁挺身挡刀。弥留之际，她坦白深爱顾尘，后悔过往伤害。顾尘痛苦相拥，原谅了她。故事以生死离别诠释真爱，传递了珍惜与宽恕的价值观，以及逆境中坚守本心的精神。

该片讲述新冠肺炎疫情当下，一对无法见面的男女之间的发生的故事。 　　金周宪饰演分手后出国留学又回到了韩国，因为疫情需要隔离14天的男主人公，金高银饰演思念着前男友，因为疫情不得不通过无接触的方式沟通的女主人公。

丁海寅将出演短片合集《无框》(언프레임드，暂译)，担任李帝勋所执导短片的主演。该片也是李帝勋的导演处女作，李帝勋也将担任编剧，短片聚焦年轻人的现实及担忧的问题，讲述20、30岁一代人股票热潮的故事。该短片集的导演还包括朴正民、崔嬉序、孙锡久。短片集将于12月上线流媒体。