An ambitious, powerful and surprising new drama, The Way (3x60’) taps into the social and political chaos of today’s world by imagining a civil uprising which begins in a small industrial town. 　　Meet the Driscolls - an ordinary family, in an extraordinary story of life, death and survival. Caught in a chain of events and power struggles that ripple out unleashing civil unrest, they are forced to escape the country they’ve always called home and the certainties of their old lives. 　　Will they be overwhelmed by their memories of the past, or will the Driscolls lay their ghosts to rest and take the risk of an unknown future? The Way is an emotional and darkly humorous story about what it means to be faced with impossible choices.

An ambitious, powerful and surprising new drama, The Way (3x60’) taps into the social and political chaos of today’s world by imagining a civil uprising which begins in a small industrial town. 　　Meet the Driscolls - an ordinary family, in an extraordinary story of life, death and survival. Caught in a chain of events and power struggles that ripple out unleashing civil unrest, they are forced to escape the country they’ve always called home and the certainties of their old lives. 　　Will they be overwhelmed by their memories of the past, or will the Driscolls lay their ghosts to rest and take the risk of an unknown future? The Way is an emotional and darkly humorous story about what it means to be faced with impossible choices.

本片是The Collective三部曲的第二部，发行于2006年。单车，美景，除了这些还有什么？Roam可不止这些，此番摄制组进入北非国家摩洛哥，在山地车影片中难得一见的异域风情让人耳目一新；而Ryan Leech在欧洲最古老城市之一的捷克首都布拉格为大家上演的是完全不同的风格，《Bike Magazine》形容Ryan的车技是”mind-blowing“。有人说”本片拍的不是车技和动作而是山地车运动的灵魂 　　给人印象深刻的一段是Matt Hunter在做一个飞跃时严重摔伤，然后镜头一转，三个月后Matt重又站在那里望着上次摔倒的地方说"It's the ways out there"，带着信心与勇气再次一跃而下，成功了。

本片是The Collective三部曲的第二部，发行于2006年。单车，美景，除了这些还有什么？Roam可不止这些，此番摄制组进入北非国家摩洛哥，在山地车影片中难得一见的异域风情让人耳目一新；而Ryan Leech在欧洲最古老城市之一的捷克首都布拉格为大家上演的是完全不同的风格，《Bike Magazine》形容Ryan的车技是”mind-blowing“。有人说”本片拍的不是车技和动作而是山地车运动的灵魂 　　给人印象深刻的一段是Matt Hunter在做一个飞跃时严重摔伤，然后镜头一转，三个月后Matt重又站在那里望着上次摔倒的地方说"It's the ways out there"，带着信心与勇气再次一跃而下，成功了。

两个不得志的兄弟，在得到一盘神秘录像带后，决定回到十年前逃离的“邪教组织”（cult），却在一系列拷问三观的诡异事件中，发现这个“邪教”的真实信仰比他们记忆中的印象大不相同。

两个不得志的兄弟，在得到一盘神秘录像带后，决定回到十年前逃离的“邪教组织”（cult），却在一系列拷问三观的诡异事件中，发现这个“邪教”的真实信仰比他们记忆中的印象大不相同。

本部动画短片描绘了，黑白的线描小人不断在冰冷的机械世界里，反反反复复的挣脱机械的束缚又落入死循环的故事。开始，黑白小人并没有察觉这机械构造出的“圈套”。直到他开始意识到这是不断的重复再重复死循环后，才竭尽全力的摆脱机械设计的“陷阱”。跳得出这窠臼的老路，还是沉溺在牢笼般既定的命运中，尽在你自己手中。

本部动画短片描绘了，黑白的线描小人不断在冰冷的机械世界里，反反反复复的挣脱机械的束缚又落入死循环的故事。开始，黑白小人并没有察觉这机械构造出的“圈套”。直到他开始意识到这是不断的重复再重复死循环后，才竭尽全力的摆脱机械设计的“陷阱”。跳得出这窠臼的老路，还是沉溺在牢笼般既定的命运中，尽在你自己手中。

The Endless is a speculative sensory enthnography film that roams through a visual thought pattern across both humans and artificial intelligence. It excavates the visual artifacts of interpolation - the act of neural nets filling in missing visual information with environmental data. Produced from a series of experiments with AI neural networks and gender recognition bias from 2018-2022, The Endless is a recursive loop between humans interpreting AI-generated images and vice versa. The result is a digital sensory journey through an alien culture in a phantasmagoric landscape.

The Endless is a speculative sensory enthnography film that roams through a visual thought pattern across both humans and artificial intelligence. It excavates the visual artifacts of interpolation - the act of neural nets filling in missing visual information with environmental data. Produced from a series of experiments with AI neural networks and gender recognition bias from 2018-2022, The Endless is a recursive loop between humans interpreting AI-generated images and vice versa. The result is a digital sensory journey through an alien culture in a phantasmagoric landscape.