萧炎飞升至大千世界后，不慎与妻子失散。萧炎孤身闯荡，收服异种圣火，勇探古老秘境，力挫神族强者，终创立一方超级势力——无尽火域。萧炎后历经波折接回妻子，夫妻二人共御域外邪神，留下一段震古烁今的传奇佳话！

熙来相往的都市街头，男孩似不属于这个世界一般，静静地盯着橱窗内一张画有梅花鹿的画像。后来，他走进店里，知晓这是一家售卖猎枪的店，店主正热情地为一位客人介绍一款猎枪。男孩将店里陈设一一看过，目光落在一副画上：一棵光秃秃的大树下，猎人手握猎枪脚踩被他击毙的雄狮，冲着镜头得意地笑。 　　男孩呆住了。想象中，男孩背着猎枪走进森林，遇见各种各样的动物，它们都在各自的世界里自由自在地生活着，男孩被眼睛所见的种种打动，嘴角洋溢快乐的笑容。突然，他呆住了，一棵光秃秃的大树下，一个猎人正用猎枪对准一头茫然不知的雄狮。男孩举起了手中的猎枪。

两个不得志的兄弟，在得到一盘神秘录像带后，决定回到十年前逃离的“邪教组织”（cult），却在一系列拷问三观的诡异事件中，发现这个“邪教”的真实信仰比他们记忆中的印象大不相同。

本部动画短片描绘了，黑白的线描小人不断在冰冷的机械世界里，反反反复复的挣脱机械的束缚又落入死循环的故事。开始，黑白小人并没有察觉这机械构造出的“圈套”。直到他开始意识到这是不断的重复再重复死循环后，才竭尽全力的摆脱机械设计的“陷阱”。跳得出这窠臼的老路，还是沉溺在牢笼般既定的命运中，尽在你自己手中。

The Endless is a speculative sensory enthnography film that roams through a visual thought pattern across both humans and artificial intelligence. It excavates the visual artifacts of interpolation - the act of neural nets filling in missing visual information with environmental data. Produced from a series of experiments with AI neural networks and gender recognition bias from 2018-2022, The Endless is a recursive loop between humans interpreting AI-generated images and vice versa. The result is a digital sensory journey through an alien culture in a phantasmagoric landscape.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。