年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

年届退休又已离婚的托尼过着安逸自在的生活，某天接获通知大学时期女友的母亲过世，前女友的母亲在遗嘱里头留给托尼一本神秘的日记，而那本日记竟属于托尼昔日好友亚德利恩。　　前女友薇洛妮卡跟托尼分手后，曾跟亚德利恩发展出热烈情愫，而当年亚德利恩向托尼坦承两人恋情时，托尼写了封祝福的信回覆，但没过多久，亚德利恩竟因不明原因离奇自杀身亡。这段刻苦铭心的三角恋情，竟就发生过什么无法挽回的插曲，而如今收到日记的托尼，又该如何面对许久不见的前女友薇洛妮卡，以及消逝在回忆里等待重新被翻出的惊人秘密……

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

A young couple struggles to make ends meet, the woman works as a nurse and the young man starts robbing homes and paying visits to lonely housewives.

Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

In this short film, Simone Massi takes his inspiration from scenes of wars that really happened - from World War II to the refugee camps of the 6-Day War, from the attack on the Mostar bridge to the cars set on fire in the war in Syria - to tell what they all have in common. 　　“The suffering of civilians is the only truth of any war, and Simone Massi shows it to us starkly. After so many images of the victims about their tragedy, Gino’s words open the horizon to a possible alternative: abolishing war is an urgent necessity. In this film, there is everything Gino has done and thought in his life against the logic of violence,” says Simonetta Gola, Communications Director of Emergency.

A young couple struggles to make ends meet, the woman works as a nurse and the young man starts robbing homes and paying visits to lonely housewives.

聚焦未成年人司法保护，讲述了未成年人检察小组初创，检察官林之桃与助理检察员白恩宇，为了孩子们，携手对抗人性之恶的故事。 　　始于悬念，终于救赎；拨开迷惘，山止川行。

伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders