一片不再像自己的土地。在巴塔哥尼亚，千年的南洲杉树几乎尽数被松树取代。在大西洋的另一边，布鲁塞尔的庭院、街道和广场上都装饰着相同的树木。在一辆汽车里，一家人兴奋地数着黑白影像中的树木。这些树木如何成为西欧小资产者的时髦装饰的？这是一个带有历史和个人色彩的实验性短篇神秘故事，它识别了南洲杉树历史中殖民主义和资本主义的交汇点。

上世纪30年代，一家德国巧克力厂的老板是俄国人，面对婚姻和事业双重触礁，万念俱灰。他幻想脱离自己的生活，如同灵魂出窍似的从旁观察自己。当他看到一个街头流浪汉时，那人在他眼里跟他自己长得一模一样。为了“互换身份”，他杀死了对方。 　　本片跟法斯宾德其他作品有很大差异，他采用了知名编剧的剧本，而且还是改编自纳博科夫的小说。精彩对白似乎集中在影片的前三分之一。影片大胆、俗气，曾遭到广泛的恶评。

在驱车穿越奈维达沙漠前往盐湖的途中，皮特•杰克森（Henry Thomas 饰）及其妻子玛丽（Annabeth Gish 饰）因汽车爆胎缘故被克里警官逮捕。克里将夫妇俩带往绝望镇，杰克森恐惧地发现，这个镇上遍布着尸体。当他们意识到自己身处危险之中时，邪恶的克里终于露出狰狞面孔，将皮特射杀。 　　在监狱中，玛丽遇见卡沃一家、当地人汤姆（Charles Durning 饰）以及作家约翰（Tom Skerritt 饰）。他们计划逃出这个杀人魔窟，并且借助卡沃夫妇小儿子大卫（Shane Haboucha 饰）的神奇力量，众人更得知150年前曾在绝望镇发生的一起惨剧……

When mobster Walt Radak tries to trick independent trucker Steve Randall into transporting stolen furs, Steve alerts the police, and Walt's young brother Al is caught and held for a cop-killing. When ruthless Radak tries to extort Steve's help in clearing Al, Steve and his young wife flee for their lives, only to find that the police are also in pursuit. With every man's hand against them, Steve and Anne must repeatedly abandon their temporary refuges. Finally, one midnight, the showdown...

在驱车穿越奈维达沙漠前往盐湖的途中，皮特•杰克森（Henry Thomas 饰）及其妻子玛丽（Annabeth Gish 饰）因汽车爆胎缘故被克里警官逮捕。克里将夫妇俩带往绝望镇，杰克森恐惧地发现，这个镇上遍布着尸体。当他们意识到自己身处危险之中时，邪恶的克里终于露出狰狞面孔，将皮特射杀。 　　在监狱中，玛丽遇见卡沃一家、当地人汤姆（Charles Durning 饰）以及作家约翰（Tom Skerritt 饰）。他们计划逃出这个杀人魔窟，并且借助卡沃夫妇小儿子大卫（Shane Haboucha 饰）的神奇力量，众人更得知150年前曾在绝望镇发生的一起惨剧……

聚焦未成年人司法保护，讲述了未成年人检察小组初创，检察官林之桃与助理检察员白恩宇，为了孩子们，携手对抗人性之恶的故事。 　　始于悬念，终于救赎；拨开迷惘，山止川行。

伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders

コリオグラファー宮本賢二×漫画家上條淳士×フィギュアスケート 　　超異色のコラボレーションアニメ作品！！