已退休的单身男子贝格•安德森（Sten Ljunggren 斯特恩•里吉格林 饰）没有任何知心朋友，母亲也在几年前过世。他的苦闷无处倾诉，每天仍然坐公交车去沃尔沃工厂上班，他抓住任何机会和乘客、工友聊天，但都遭受了冷遇。在受到餐厅工作人员揶揄之后，贝格沮丧回到家中，他甚至打电话和陌生人聊天来满足自己的倾诉欲望。终于有一天，一个传教的女孩（Cecilia Frode 赛西莉娅•佛罗迪 饰）敲开他的房门，贝格欣喜若狂，因为总算有人愿意坐下和他聊天，然而……

已退休的单身男子贝格•安德森（Sten Ljunggren 斯特恩•里吉格林 饰）没有任何知心朋友，母亲也在几年前过世。他的苦闷无处倾诉，每天仍然坐公交车去沃尔沃工厂上班，他抓住任何机会和乘客、工友聊天，但都遭受了冷遇。在受到餐厅工作人员揶揄之后，贝格沮丧回到家中，他甚至打电话和陌生人聊天来满足自己的倾诉欲望。终于有一天，一个传教的女孩（Cecilia Frode 赛西莉娅•佛罗迪 饰）敲开他的房门，贝格欣喜若狂，因为总算有人愿意坐下和他聊天，然而……

Mr. Brenner makes a down payment on a house. The house's owners, Cissie and Johanna Enright say that they don't want to sell. He threatens them with a lawsuit, but is poisoned. He collapses and the sisters discuss what they should do. Joanna wants to finish him off more poison while Cissie prefers a gun. Brenner revives and pitches on sister against the other. He gets the gun from Cissie and shoots Johanna. Cissie gives Brenner more poison whilst he phones the police, telling them that Johanna poisoned him and that he shot her. Finally, the poison kills him and the house is all hers.

Last part of the trilogy about Bergman's parents beginning with The Best Intentions and Sunday's Children.

自1991年开播以来有20年历史的长寿节目。节目的特点是节目独创的骰子谈话。来宾们亲自掷骰子决定谈话主题。

来自与世隔绝的宗教社区的妇女们努力使她们的现实与她们的信仰相协调。 　　通过背景故事，我们看到一个妇女社区聚集在一起，研究如何共同前进，为她们自己和她们的孩子建立一个更美好的世界。 　　要么留下来战斗，要么离开。 　　她们不会什么都不做。

基于Miriam Toews所著同名畅销书，讲述在一个偏僻的宗教殖民地，数百名女性长年累月遭到性侵犯，一些妇女了解到她们是被一群来自他们自己社区的男人下药…

聚焦未成年人司法保护，讲述了未成年人检察小组初创，检察官林之桃与助理检察员白恩宇，为了孩子们，携手对抗人性之恶的故事。 　　始于悬念，终于救赎；拨开迷惘，山止川行。

伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders