无差别的爱：在豪门深宅中，一位尊贵的夫人诞下女儿，却遭人暗中调换，与一位痴傻拾荒者的儿子命运交错。岁月流转，豪门之女在家族的全力栽培下成长，而拾荒者之子也在逆境中坚韧不拔。多年后，这对命运多舛的孩童竟奇迹般地考入同一所学校，却因身份差异和误解，成为了针锋相对的死对头。在校园的每一个角落，都弥漫着他们竞争的火花，而背后的真相，正悄然等待着被揭开的那一天。

火影OVA4

火影OVA4

東京・秋葉原、11年前の2008年6月8日、携帯電話の掲示板に秋葉原で人を殺しますと書かれた直後、事件は起きた。一人の男が人々に襲いかかり死者7人、負傷者10人、平成最悪の通り魔事件と言われた。犯行に及んだのは25歳の派遣社員、加藤智大死刑囚。事件前、加藤は格差に対する不満や社会からの孤立などを書き込んでいた。事件で瀕死の重傷を負った被害者の男性はその言葉に納得出来ないと加藤と向き合い続けてきた。加藤と同僚だった男性は同じ境遇なのになぜ犯行に至ったのか理由を問い続けている。

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

影片聚焦女性犯罪题材，讲述园艺师支宁在遇到中年学者寇逸后，飞蛾扑火般的情感冒险。据悉，影片目前正在赶拍，卡司尚未公开，袁泉被目击出现在片场。

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

Truman Capote's semi-autobiographical first novel about coming of age in the Deep South during the 1930s centers on 13-year-old Joel Sansom (David Speck), who reunites with his estranged father at the family's shabby plantation, where he must contend with his father's feisty mistress and a strange cousin. Against this less-than-ideal backdrop, Joel slowly matures into an upstanding young man.