沈清予为家庭放弃设计梦想，却遭遇丈夫出轨、公婆嫌弃、儿子厌恶，所有人都向着孟芸，只有女儿一直关心着自己。果断选择离婚后，她以金牌设计师牧白的身份重返设计界，赢得国际服装秀金奖，成功反击前夫和小三，带着女儿开启新的篇章。

一个关于被过往悲剧困住、人生破碎的母亲，与深陷青春期挣扎却不得不面对母亲内心动荡的女儿的故事

豪门女总裁司楠为救患病弟弟，不惜以高薪诱惑酒吧调酒师白子昊，意图获取他的肾脏。两人阴差阳错共度一夜，司楠提出包养白子昊。然而，白子昊的青梅竹马安然假装患病，试图阻止他接近司楠。与此同时，白子昊因妹妹的医疗费问题被迫与司楠达成交易。随着两人接触增多，司楠逐渐对白子昊产生了复杂的情感。然而，她的秘密计划随时可能 　　曝光，两人的关系将何去何从?

一个关于被过往悲剧困住、人生破碎的母亲，与深陷青春期挣扎却不得不面对母亲内心动荡的女儿的故事

Aryan (Shahid Kapoor) is a talented computer programmer specialising in robotics. He works for his mausi Urmila’s (Dimple Kapadia) tech firm which specialises in creating next-gen robots. He’s also commitment phobic and averse to getting married as he hasn’t found a compatible enough girl. On a business trip to the US, his aunt sets him up with SIFRA (Kriti Sanon), her assistant. They hit it off instantly, even hook-up but then Aryan finds out that she’s a robot.

深夜，一座新建不久的高档公寓内一位女子从阳台坠楼身亡，此后便传出了该房间闹鬼的传言，公寓内的住户纷纷搬走，四位寻求刺激的年轻人特地租下了这里。然而他们住进来后，却每晚夜夜笙歌，正当玩得兴起之时，房间内突然发生了一系列的诡异的事情，最终酿成了三死一伤的惨剧。便衣侦查员狄迪威（梁辰羽 饰）平时靠群演身份掩护自己，却在好友蔡崇的介绍下阴差阳错的干起了“捉鬼”的工作，职业的敏感让他成功的破获了这起悬案。然而当真相大白于天下之时，灵异事件却再次发生，感觉被鬼缠身的狄迪威只有替鬼还愿才能摆脱邪灵！是人？是鬼？一个更大的秘密正逐渐浮出水面······

深夜，一座新建不久的高档公寓内一位女子从阳台坠楼身亡，此后便传出了该房间闹鬼的传言，公寓内的住户纷纷搬走，四位寻求刺激的年轻人特地租下了这里。…

During the Covid-19 pandemic, young filmmakers from a São Paulo favela make a film to apply for a grant offered by an institution that uses them as mere pawns. An opportunity for a critical exercise and a demonstration of lucidity. 　　[FR] Durant la pandémie de Covid-19, de jeunes cinéastes d’une favela de São Paulo réalisent un film pour candidater à une bourse proposée par une institution qui les utilise comme faire-valoir. L’occasion d’un exercice critique et d’une démonstration de lucidité.

Wandering through the ordinary sights of day and night. How, in this vast cosmos, did all this happen? We live in a world of constant transformations. Somehow, aeons ago, consciousness came about. I'm often drawn to think of the earliest stages of life when we were swimming blindly in water. How was it possible to develop that bubble-like appendage to our brains that allowed the great miracle of sight? What a revolution in that infinite cosmos for consciousness to join with sight. (All this taking place among bubbles near a warm shore). Was this event some kind of mandate from the Universe so that it might know itself? Are we tools in that quest? How do these thoughts fit into the parade of ongoing distractions that make up daily life? CARELESS PASSAGE will answer none of these questions. Its purpose is to muse and swim among migrant sights seen by the transforming eye of a camera. 　　-- Jerome Hiler