一名苏格兰公务员必须学会如何驾驶宾利，才能给女友的大亨父亲留下深刻印象。

讲述“九·一八”事变，东北三省沦陷。一伙失去土地和家园的农民，不堪忍受日寇的铁蹄践踏，逃到一个偏僻荒芜的山野——黑田铺。他们以打铁为生，既不向官府纳粮缴税，也不依附于土匪势力，过着自己的生活。黑田铺没有女人，没有女人的世界不精彩。申老娘是闯进黑田铺的第一个女人，成为这个男人王国里的“王后”，人们想方设法接近好，而她只爱一个人，那就是黑田铺第二代首领罗三。然而，在中华民族生死存亡的时刻，她却被自己曾经最厌恶的男人所感动，留下人生旅途上最光彩的一笔。

讲述“九·一八”事变，东北三省沦陷。一伙失去土地和家园的农民，不堪忍受日寇的铁蹄践踏，逃到一个偏僻荒芜的山野——黑田铺。他们以打铁为生，既不向官府纳粮缴税，也不依附于土匪势力，过着自己的生活。黑田铺没有女人，没有女人的世界不精彩。申老娘是闯进黑田铺的第一个女人，成为这个男人王国里的“王后”，人们想方设法接近好，而她只爱一个人，那就是黑田铺第二代首领罗三。然而，在中华民族生死存亡的时刻，她却被自己曾经最厌恶的男人所感动，留下人生旅途上最光彩的一笔。

Argentine cinema and argentine literature at it´s best. Mr Rene Mugica, the director, always commented (with a smile in his face) that he carried this film on his back as if it were a heavy bag. In fact this film proved to be a highlight in his carrer and one of the most outstanding films in Argentine cinema. Mugica came from a family of theatre actors, and was well accomplished with the argentine novel. It is usefull to say that everytime a film-maker attempted to use a story from Jorge Luis Borges, it ussualy came to a flop. The director made a few modifications to the original story in order not to sacrifice the cinematographical rithm, but even Borges favourded the film when he saw it. Like in his fist feature (Hombre de la esquina rosada is his second one) Múgica uses infra-red film for the final in order to give it a ghostly atmosphere. It is a shame that the studio (Argentina Sono Film) who contracted him for the first time, never called him again for another film.

Argentine cinema and argentine literature at it´s best. Mr Rene Mugica, the director, always commented (with a smile in his face) that he carried this film on his back as if it were a heavy bag. In fact this film proved to be a highlight in his carrer and one of the most outstanding films in Argentine cinema. Mugica came from a family of theatre actors, and was well accomplished with the argentine novel. It is usefull to say that everytime a film-maker attempted to use a story from Jorge Luis Borges, it ussualy came to a flop. The director made a few modifications to the original story in order not to sacrifice the cinematographical rithm, but even Borges favourded the film when he saw it. Like in his fist feature (Hombre de la esquina rosada is his second one) Múgica uses infra-red film for the final in order to give it a ghostly atmosphere. It is a shame that the studio (Argentina Sono Film) who contracted him for the first time, never called him again for another film.

男主跟妻子结婚五年，渐渐淡去了感情，遇到旧日好友时，却对朋友的妻子点燃了激情，而朋友对男主妻子也是垂涎三尺，不谋而合的二人开始了换妻体验，不仅如此，四人更是生活在了一起，从饮食起居到私房之事，四人开始了混乱的浪荡生活....