一名苏格兰公务员必须学会如何驾驶宾利，才能给女友的大亨父亲留下深刻印象。

讲述“九·一八”事变，东北三省沦陷。一伙失去土地和家园的农民，不堪忍受日寇的铁蹄践踏，逃到一个偏僻荒芜的山野——黑田铺。他们以打铁为生，既不向官府纳粮缴税，也不依附于土匪势力，过着自己的生活。黑田铺没有女人，没有女人的世界不精彩。申老娘是闯进黑田铺的第一个女人，成为这个男人王国里的“王后”，人们想方设法接近好，而她只爱一个人，那就是黑田铺第二代首领罗三。然而，在中华民族生死存亡的时刻，她却被自己曾经最厌恶的男人所感动，留下人生旅途上最光彩的一笔。

讲述“九·一八”事变，东北三省沦陷。一伙失去土地和家园的农民，不堪忍受日寇的铁蹄践踏，逃到一个偏僻荒芜的山野——黑田铺。他们以打铁为生，既不向官府纳粮缴税，也不依附于土匪势力，过着自己的生活。黑田铺没有女人，没有女人的世界不精彩。申老娘是闯进黑田铺的第一个女人，成为这个男人王国里的“王后”，人们想方设法接近好，而她只爱一个人，那就是黑田铺第二代首领罗三。然而，在中华民族生死存亡的时刻，她却被自己曾经最厌恶的男人所感动，留下人生旅途上最光彩的一笔。

Argentine cinema and argentine literature at it´s best. Mr Rene Mugica, the director, always commented (with a smile in his face) that he carried this film on his back as if it were a heavy bag. In fact this film proved to be a highlight in his carrer and one of the most outstanding films in Argentine cinema. Mugica came from a family of theatre actors, and was well accomplished with the argentine novel. It is usefull to say that everytime a film-maker attempted to use a story from Jorge Luis Borges, it ussualy came to a flop. The director made a few modifications to the original story in order not to sacrifice the cinematographical rithm, but even Borges favourded the film when he saw it. Like in his fist feature (Hombre de la esquina rosada is his second one) Múgica uses infra-red film for the final in order to give it a ghostly atmosphere. It is a shame that the studio (Argentina Sono Film) who contracted him for the first time, never called him again for another film.

Argentine cinema and argentine literature at it´s best. Mr Rene Mugica, the director, always commented (with a smile in his face) that he carried this film on his back as if it were a heavy bag. In fact this film proved to be a highlight in his carrer and one of the most outstanding films in Argentine cinema. Mugica came from a family of theatre actors, and was well accomplished with the argentine novel. It is usefull to say that everytime a film-maker attempted to use a story from Jorge Luis Borges, it ussualy came to a flop. The director made a few modifications to the original story in order not to sacrifice the cinematographical rithm, but even Borges favourded the film when he saw it. Like in his fist feature (Hombre de la esquina rosada is his second one) Múgica uses infra-red film for the final in order to give it a ghostly atmosphere. It is a shame that the studio (Argentina Sono Film) who contracted him for the first time, never called him again for another film.

主角女高中生森田真由，这位总是沉默寡言的无口少女的校园及日常生活。森田之所以总是不说话，并不是因为她讨厌说话或真的没话可说，而是因为常常在说话前会思考大量的事情，所以总是弄得错过了和别人一起交谈的时机。也因为这种错过，所以经常弄出笑话来。 森田真由，其实她也并不是天生少言，而是因为“话还没整理好”、“时机不对”、“比较擅长倾听别人说话”又或者是“想太多”而变得少言。再加上母亲的教导下她习惯盯着对方的眼睛看，因此也招来了不少误会。by:yakubd.cc