《爱情与无政府》上映于1973年，是由丽娜·沃特穆勒执导，吉安卡洛·乔万尼和玛丽安吉拉·梅拉托主演的一部电影。故事背景定位于二战爆发前夕的法西斯意大利，男主角（吉安卡洛·乔万尼饰演）是一个无政府主义者，他潜伏在一家妓院伺机刺杀贝尼托·墨索里尼。男主角在策划刺杀期间，与妓院里的一位妓女坠入情网。影片表现出了男主角极端情绪化的爱与对法西斯主义的仇视，以及他对刺杀墨索里尼后有可能被杀的恐惧感。 　　《爱情与无政府》曾获1973年戛纳电影节金棕榈奖提名。男主演乔万尼荣获最佳演员奖。

《爱情与无政府》上映于1973年，是由丽娜·沃特穆勒执导，吉安卡洛·乔万尼和玛丽安吉拉·梅拉托主演的一部电影。故事背景定位于二战爆发前夕的法西斯意大利，男主角（吉安卡洛·乔万尼饰演）是一个无政府主义者，他潜伏在一家妓院伺机刺杀贝尼托·墨索里尼。男主角在策划刺杀期间，与妓院里的一位妓女坠入情网。影片表现出了男主角极端情绪化的爱与对法西斯主义的仇视，以及他对刺杀墨索里尼后有可能被杀的恐惧感。 　　《爱情与无政府》曾获1973年戛纳电影节金棕榈奖提名。男主演乔万尼荣获最佳演员奖。

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

《无政府女性主义的占卜》是一部实验性纪录片，重塑了安纳托利亚（Anatolian）传统的咖啡渣预言术，并将其与化学成像法的光化学工艺相融合。当传统占卜聚焦于家庭与爱情等异性恋规范主题时，本片则将这一古老技艺转化为集体反思的媒介。在“跨个体性”（transindividuality，意指“若未人人自由，则无一人自由”）理念的引领下，影片以纠缠交织的多物种视角，展开对共同命运的探索。 　　这部关于未来与友谊的民族志，为我们开辟出一片思想空间，去想象恢复生者与非生者之间深层联结的多种途径。 　　Anarchafeminist Divinations is an experimental documentary that reimagines the traditional Anatolian practice of coffee-ground fortune-telling, blending it with the photochemical process of chemigramm. While traditional readings focus on heteronormative themes like family and love, the film transforms this cultural technique into a tool for collective reflection on the future. Guided by the concept of transindividuality—the idea that no one is free until everyone is—the film explores futures through entangled, multispecies perspectives. 　　This ethnography of the future and friendship opens space to imagine new ways to restore the interconnectedness of all living and non-living beings.

Fernando Pessoa's paradoxical 1922 short story is styled as a Platonic dialogue between a wealthy banker and his colleague, in which the banker explains the strictly logical path that led him step-by-step from an anarchist youth to being the only true and consistent anarchist. The tale playfully undermines many of the founding texts of political 'enlightenment' (Descartes, Hobbes, Locke, Malthus, Rousseau, Smith, Spinoza), as well as making a devastating critique of revolutionary psychology and of 1917 Bolshevism. Like magic, the sleight of hand is transparent, apparently convincing us of the banker's inexorable logic, while the plot challenges us to discover the flaw in the shocking twist of the wealthy banker's logic.

Fernando Pessoa's paradoxical 1922 short story is styled as a Platonic dialogue between a wealthy banker and his colleague, in which the banker explains the strictly logical path that led him step-by-step from an anarchist youth to being the only true and consistent anarchist. The tale playfully undermines many of the founding texts of political 'enlightenment' (Descartes, Hobbes, Locke, Malthus, Rousseau, Smith, Spinoza), as well as making a devastating critique of revolutionary psychology and of 1917 Bolshevism. Like magic, the sleight of hand is transparent, apparently convincing us of the banker's inexorable logic, while the plot challenges us to discover the flaw in the shocking twist of the wealthy banker's logic.

AMERICAN ANARCHIST tells the story of one of the most infamous books ever written, The Anarchist Cookbook, and the role it has played in the life of its author, William Powell, who wrote it at 19 in the midst of the countercultural upheaval of the late 1960s and early ’70s. Academy Award-nominated filmmaker Charlie Siskel (FINDING VIVIAN MAIER) tracks down Powell, now 65 and a schoolteacher, for an intimate and thought-provoking conversation as he revisits the work and the influence it continues to have. A cautionary tale of youthful rebellion and unforeseen consequences, AMERICAN ANARCHIST is a universal and all-too-human story of a man at the end of his life wrestling with his past, his identity, and the repercussions of his youth.

Young provincial girl VILE comes to the big town with ambitions about high education. She tries to find a rented apartment for living and notices a hand-made sticker with anarchy symbols on it. Leaded by strange sticker Vile; meets boyish looking and always wearing a T-Shirt with anarchy symbol on it girl SANDRA. Mutual sympathy and... Vile becomes Sandra's tenant...

AMERICAN ANARCHIST tells the story of one of the most infamous books ever written, The Anarchist Cookbook, and the role it has played in the life of its author, William Powell, who wrote it at 19 in the midst of the countercultural upheaval of the late 1960s and early ’70s. Academy Award-nominated filmmaker Charlie Siskel (FINDING VIVIAN MAIER) tracks down Powell, now 65 and a schoolteacher, for an intimate and thought-provoking conversation as he revisits the work and the influence it continues to have. A cautionary tale of youthful rebellion and unforeseen consequences, AMERICAN ANARCHIST is a universal and all-too-human story of a man at the end of his life wrestling with his past, his identity, and the repercussions of his youth.