“武尊”楚天在揭面仪式失踪，因母逝遵嘱三年不习武，化身杂役陪妹妹。三年后武道大会前夕，妹妹擂台上被压制，楚天暗中指点遭嘲讽。武馆陷危机时，他解除封印击溃强敌，却发现参赛名额被“光明会”以其名义给敌对武馆。为查明真相，他参加选拔赛，最终与用科技绑架武者做实验的光明会会长展开决战。

大夏首席网络安全官江明拒绝科宇集团柳青舟的挖角，一次醉酒后与星澜总裁陆昭雪误同房。次日，他因徒弟萧景琰偷换防火墙程序，被傲阳董事长蒋凌霜陷害离职，还被萧景琰设局签下责任认定书扫地出门。 陆昭雪的公司遭黑客攻击，江明主动帮忙，虽遭质疑但凭实力修复系统。技术峰会上，萧景琰与蒋凌霜嘲讽江明，江明却用自研“星月系统”击溃病毒，助星澜拿下十亿项目，傲阳则因未换回原防火墙致系统崩溃。 星澜换系统后服务器瘫痪，江明联系军方背景的飞龙集团解决；傲阳求助云端公司反被索高价。信息商会上，萧景琰勾结郝亮打压星澜，柳青舟现身揭露其恶行，将千亿项目交予星澜。最终，江明与陆昭雪情愫渐生，步入婚姻殿堂。

天青宗杂役弟子安景，机缘之下获得融合系统，但他天生性格低调，不喜招摇，于是以杂役弟子的身份慢慢发育，从不出任何风头，踏上漫漫仙道之路，他暗地里帮助天青宗解决了许多大麻烦，从此天青宗多了一个神秘之人的传说！

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

中国首部AIGC木刻版画风格剧情动画短片，改编自中国古代志怪小说集《稽神录》，讲述了僧人珉楚偶然遇见由亡友所化的掠剩鬼，在获赠鬼花之后遭遇了一系列诡谲奇遇的故事。影片以东方志怪为基础，探讨了因果业力与人性本真，运用极简镜头和虚实相生的美学表达，打造出了兼具传统意蕴与先锋质感的东方影像。