这部作品的制作始于Covid-19在欧洲大陆完全爆发之前，它是一部在无法预计事态发展，在尚未显露的危机逐渐逼近的情况下创作的作品，同时它也随着疫情得到了拓展，类似于导演本人的处境。 　　故事以导演前任与他母亲之间的争吵作为开场，以双方的内省陈述作为并进内容。影片以自传体的方式，审视了以危险的父权意识形态为核心的专制极权给家庭所带来的恶性代际延续。导演透过微观视角、直面自己亲身经历的虐待关系来理解其根源和解释相关现象。

2019年入围全州计划，将在5月的电影节上正式公开。

八个恐怖的韩国都市传说，叙述了在不同人身上所遇到的恐怖且离奇的事情。

八个恐怖的韩国都市传说，叙述了在不同人身上所遇到的恐怖且离奇的事情。

Hélène, 40 years old, comes to visit her aging mother in the french countryside. But her mother isn't being her usual self. She seems to have formed a strange bond with the plants, insects, and the old oak tree at the end of her garden.

Hélène, 40 years old, comes to visit her aging mother in the french countryside. But her mother isn't being her usual self. She seems to have formed a strange bond with the plants, insects, and the old oak tree at the end of her garden.

In this short film of Cowan Court, Rivers has turned his camera onto the interactions between architecture and landscape within which the students of Churchill College, University of Cambridge live and work.