1945年8月15日，日本战败投降日当天，军医桥本将一罐金银埋在防空洞中，并与其他三名同伴约定十年后来取。十年后，药剂师中田（西村晃 饰）、经营饭店的大沼（殿山泰司 饰）、中学教员泽井（小沢昭一 饰）、黑帮分子山本（加藤武 饰）以及自称桥本妻子的志麻（渡辺美佐子 饰）按照约定聚在一起。财宝当前，他们顾不得辨别孰真孰假，只得暂时联合起来。当年的埋葬点如今已变成一条商业街，而且该街不久将全面拆除。他们租了一间屋子，暗中挖掘隧道。随着最后期限愈来愈近，丑陋的人性开始凸现出来…… 　　本片根据藤原审尔的原著改编，由市川昆的妻子和田夏十担任编剧，并荣获1959年蓝丝带最佳导演和最佳女配角奖（渡辺美佐子）。

1945年8月15日，日本战败投降日当天，军医桥本将一罐金银埋在防空洞中，并与其他三名同伴约定十年后来取。十年后，药剂师中田（西村晃 饰）、经营饭店的大沼（殿山泰司 饰）、中学教员泽井（小沢昭一 饰）、黑帮分子山本（加藤武 饰）以及自称桥本妻子的志麻（渡辺美佐子 饰）按照约定聚在一起。财宝当前，他们顾不得辨别孰真孰假，只得暂时联合起来。当年的埋葬点如今已变成一条商业街，而且该街不久将全面拆除。他们租了一间屋子，暗中挖掘隧道。随着最后期限愈来愈近，丑陋的人性开始凸现出来…… 　　本片根据藤原审尔的原著改编，由市川昆的妻子和田夏十担任编剧，并荣获1959年蓝丝带最佳导演和最佳女配角奖（渡辺美佐子）。

讲述某轧钢厂老工人孟长有，经过三年的刻苦钻研，发明了反围盘，改善生产条件，大大提高了生产率的故事。

某轧钢厂老工人孟长有，经过三年的刻苦钻研，发明了反围盘，改善生产条件，大大提高了生产率，说明了工人阶级无穷的潜在力量。

已过不惑之年的马赫穆特（Muzaffer Özdemir 饰）是一名来自土耳其乡村的独立摄影师，经过多年打拼他终于在伊斯坦布尔谋得一席之地，在和妻子分手后，他独自过着平静而自在的生活。某日，来自老家的表弟尤瑟夫（Emin Toprak 饰）闯入了马赫穆特的世界。老家工厂 倒闭让内向的尤瑟夫丢掉工作，为了贴补家用并给母亲治病，他独自来到大都市闯荡，在此期间暂居表兄的公寓中。多年的分离和不同的生活轨迹让这对表兄弟没有任何共同语言，而马赫穆特却越来越厌烦尤瑟夫对他个人世界的侵扰，一份尴尬在兄弟间悄然而生……

已过不惑之年的马赫穆特（Muzaffer Özdemir 饰）是一名来自土耳其乡村的独立摄影师，经过多年打拼他终于在伊斯坦布尔谋得一席之地，在和妻子分手后，他独自过着平静而自在的生活。某日，来自老家的表弟尤瑟夫（Emin Toprak 饰）闯入了马赫穆特的世界。老家工厂 倒闭让内向的尤瑟夫丢掉工作，为了贴补家用并给母亲治病，他独自来到大都市闯荡，在此期间暂居表兄的公寓中。多年的分离和不同的生活轨迹让这对表兄弟没有任何共同语言，而马赫穆特却越来越厌烦尤瑟夫对他个人世界的侵扰，一份尴尬在兄弟间悄然而生……

Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter. 　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd. 　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul. 　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him. 　　Giovanna Fulvi

Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter. 　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd. 　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul. 　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him. 　　Giovanna Fulvi

阿格斯顿年过五十，在工作了半辈子的能源工厂大裁员中，不幸失去了饭碗。怀着渺茫的希望，他悠闲的穿越东欧希望找到一份工作，并实现自己想要钓到大鱼的愿望。然而在波罗的海边，他发现：自己除了被裹挟着海盐的风吹透的寒冷之外，一无所有。在异国的旅程里，他深深陷入充斥着怪异事件的海洋。一路皆是萍水相逢：友好的人、钻营的人、诡异的人，以及一只被做成标本的天生没有耳朵的兔子。海浪漫过沙滩，再慢慢退潮。后浪把前浪拍在沙滩上。海在此诞生，绝不会在此终结。

《远方》由十三个独立的部分组成，每个部分由一个固定机位长镜头完成，聚焦在人们在新环境下迷失的瞬间。没有任何对白和文字，只利用画面、声音和动作建构整个影片。这十三个镜头—或许神秘、或许现实、或许戏剧—尝试描述一种抽象的境况。