暂无剧情简介

暂无剧情简介

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. 　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. 　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. 　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. 　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.

穷困潦倒的无名漫画家助川助三（竹中直人 饰）时运不济，做过许多生意但到头来一事无成。儿子帮忙看店，妻子则靠在社区内派发传单讨生活。某天助三从一石头爱好者的专门杂志上看到，即使门外汉也可参加石头拍卖的消息，于是突击完成手头的活计，奔往山中寻找石头。 　　然而石头并未给助三带来预期的财富，反而加重其债务负担，夫妻关系也变得紧张起来。无奈之下，助三只能重新拿起画笔，继续辛苦讨着营生。这样的生活何时是个尽头？ 　　日本漫才兼喜剧明星竹中直人导演处女作，改编自拓植义春的同名漫画，著名粉红导演神代辰巳亦在其中出演角色。

穷困潦倒的无名漫画家助川助三（竹中直人 饰）时运不济，做过许多生意但到头来一事无成。儿子帮忙看店，妻子则靠在社区内派发传单讨生活。某天助三从一石头爱好者的专门杂志上看到，即使门外汉也可参加石头拍卖的消息，于是突击完成手头的活计，奔往山中寻找石头。 　　然而石头并未给助三带来预期的财富，反而加重其债务负担，夫妻关系也变得紧张起来。无奈之下，助三只能重新拿起画笔，继续辛苦讨着营生。这样的生活何时是个尽头？ 　　日本漫才兼喜剧明星竹中直人导演处女作，改编自拓植义春的同名漫画，著名粉红导演神代辰巳亦在其中出演角色。

让-克洛德·布里索(Jean-Claude Brisseau)当过教师，拍过一些没有发行的影片：《交叉路口》（1975）和《如此生活》（1978）。后又拍摄了电视电影《影子》（1980）。《残酷的游戏》显示了他是一个全面的作者，他的艺术灵感和个人风格在以后的《声音和愤怒》（1987）、《白色婚礼》（1989）、《塞琳娜》（1990）和《黑天使》（1994）等影片中得到进一步证实。他一直是《电影手册》的宠儿，2003的《都会性男女》（Choses secrètes）更是名列当年的十佳之首。他被誉为是“新古典主义”的继承者。2006年的最新力作《毁灭天使》（Les Anges exterminateurs）则入围戛纳电影节“导演双周”单元。 　　残酷的游戏》(Un Jeu brutal) 　　演员：Bruno Cremer《白色婚礼》 　　获奖：1983年法国《电影手册》年度十大影片 　　介绍：讲述一名著名的植物学家受到接连的几桩女孩谋杀案的困绕，想方设法要保护自己女儿免受侵害的故事。

让-克洛德·布里索(Jean-Claude Brisseau)当过教师，拍过一些没有发行的影片：《交叉路口》（1975）和《如此生活》（1978）。后又拍摄了电视电影《影子》（1980）。《残酷的游戏》显示了他是一个全面的作者，他的艺术灵感和个人风格在以后的《声音和愤怒》（1987）、《白色婚礼》（1989）、《塞琳娜》（1990）和《黑天使》（1994）等影片中得到进一步证实。他一直是《电影手册》的宠儿，2003的《都会性男女》（Choses secrètes）更是名列当年的十佳之首。他被誉为是“新古典主义”的继承者。2006年的最新力作《毁灭天使》（Les Anges exterminateurs）则入围戛纳电影节“导演双周”单元。 　　残酷的游戏》(Un Jeu brutal) 　　演员：Bruno Cremer《白色婚礼》 　　获奖：1983年法国《电影手册》年度十大影片 　　介绍：讲述一名著名的植物学家受到接连的几桩女孩谋杀案的困绕，想方设法要保护自己女儿免受侵害的故事。

乡村少年强纳斯（乔什·维金斯 Josh Wiggins 饰）与新搬来的邻居凯西（苏菲·奈丽丝 Sophie Nélisse 饰）相遇，他们年轻而热情，很快陷入了爱河。然而，初恋常伴随痛苦。强纳斯意外发现凯西的父亲韦恩（比尔·帕克斯顿 Bill Paxton 饰），作为当地警察，不仅贪污，玩忽职守，还参与非法活动，甚至毫不手软地杀人。为了保护凯西，强纳斯下定决心偷走了韦恩的一袋来源不明的钱。他希望以此为资金，带着心爱的女孩找到一个安全的地方。然而，出乎他意料的是，那袋充满疑点的钱，加上凶残的韦恩和其他同样贪婪的黑警察，给这对年轻情侣带来了致命的危险。 　　随着剧情的发展，强纳斯和凯西陷入了一场生死搏斗。他们不得不与黑暗势力斗争，揭露真相，并保护自己免受危险的追击。