这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

Nuer，一个大猛攻，他是清迈一个大象营老板的儿子，是北方那嘎达的纯爷们，他有一个认识了四年的亲密好友 ，Nuer也有女友了。Porch由于不喜欢女生，Porch的爱情不像其他情侣那样那么容易…

White Rainbow is the story of four remarkable women and their struggle to overcome the stigma and brutal reality of widowhood in modern Indian society. In the story, the protagonist Priya, is an educated, affluent young woman who is tragically widowed. Despondent, alone and desperate, she seeks unlikely solace in Vrindavan, the "city of widows." Priya meets the streetwise Roop who has spent 30 years making her own way in this temple town with its dirty secrets. She encounters gentle Mala tragically disfigured by her mother-in-law and young Deepti, forced into servitude and an underground sex trade run by the Panda priest. Together, this disparate group forms a deep bond and begin to see the power of their own conviction to take charge of their own fate. But, their journey is not without adversity and tragedy from a system dominated by men who prosper from the exploitation of India's most disenfranchised citizens.

A wealthy, retired man worries about the futures of his five daughters. Meanwhile, the daughters are plotting to marry their father off to a kind widow.

In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

Four friends meet an underworld don who, on his deathbed, clues them in on hidden treasure buried in Goa. The group race towards Goa, not knowing that their plans will soon be foiled, albeit hilariously, by a police officer, who is also after the money.

Plot unknown. The third installment of the Dhamaal film series.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

真愛台灣，讓人民過好日子